A Quote by Alex Winter
After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London.
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Because I direct films, I have to live in a major English-speaking production center. That narrows it down to three places: Los Angeles, New York and London. I like New York, but it's inferior to London as a production center. Hollywood is best, but I don't like living there.
LA is such a crumbling mess of a city. Basically in all my years of travelling, I haven't found another city in the western world that interest me as much as Los Angeles - which might sound like heresy, but most cities, history has already happened and the people living there are sort of living on the bones of the thousand years of history that's already happened there. Whereas LA is always reinventing itself.
'Sort of' is such a harmless thing to say... sort of. It's just a filler. Sort of... it doesn't really mean anything. But after certain things, sort of means everything. Like... after "I love you"... or "You're going to live."
We wanted to premiere it in New York, because New York is sort of the home of the Jim Henson Company and it's sort of the tone and flavor, always, of the puppet work that we've done traditionally. And that's what brought us here and now we're here.
I knew that I wanted to live in a city, but had never really been to New York. But I was begging my parents as a kid to move to New York, so it was just something that I sort of knew from a young age.
Now with the world being such a global community, the way the Internet has sort of leveled the playing field because you have so many things that are instantly accessible. It used to feel that way though, this outside pressure that you had to go to New York or LA or actually Nashville if you're into country music to succeed. But obviously we didn't and I didn't move to LA til after I had established us. I think it's easier for people to do it these days just because of the global world we live in.
I spend the majority of my time in New York and LA. I feel like a large part of my following and my fans are probably in New York and LA because of the work that I do is very New York-LA-centric. So people do recognize me. But it's nothing overwhelming at all.
Everyone in New York wants to move to London, and everyone in London wants to live in New York. A few people want to live in L.A., but I'll never understand that. It's too much for me.
When I went to Scotland to do another movie, I would sing with a coach up there and then when I went to New York I sang with a coach over there-I mean I've now sung with coaches in LA, New York, London, Glasgow, St Louis and Rio de Janeiro!
In New York and LA, there is sort of that silent competition to be on the cutting edge of something.
New York and LA are both great places to visit, but I wouldn't want to live in either of them now. I find New York extremely claustrophobic and dirty. LA is quite a nice place. But there's no hustle and bustle, no street life.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
I think so many great artists are flocking to LA because the downtown art scene is so vibrant, there is cheap living and you can really flourish as an artist there. There is an unbelievably supportive and really smart, talented theatre audience in LA full of young, hungry, vibrant people. It's something that sort of makes me think of what New York must have been like in its downtown theater scene in the 1980s - before my time.
I'd sort of gone through some sort of spiritual change in the late 70s where I sort of saw there was some other life to live. It changed the way that I worked just having a different presence and a different tension.
Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.
It's one thing if you live in London and you're rooting for Chelsea or you're in New York and you love the Giants or Jets and no matter who's on the team you're into it. It's different in tennis; you're sort of your own guy, so you have to reach out and grab a person in a different way.
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