A Quote by Alex Grey

My art has always been in response to visions. Rather than confine my subject to representations of the outer worlds, I include portrayals of the multi-dimensional imaginal realms that pull us toward consciousness evolution.
My experience of being on the public platform got more multi-faceted, multi-dimensional, and my place in the public eye, I think, has always been a little more than just what is going on in that time in my life.
Evolution goes beyond what went before, but because it must embrace what went before, then its very nature is to transcend and include and thus it has an inherent directionality, a secret impulse, toward increasing depth, increasing intrinsic value, increasing consciousness. In order for evolution to move at all, it must move in those directions-there's no place else for it to go!
He always reminded us that every atom in our bodies was once part of a distant star that had exploded. He talked about how evolution moves from simplicity toward complexity, and how human intelligence is the highest known expression of evolution. I remember him telling me that a frog's brain is much more complex than a star. He saw human consciousness as the first neuron of the universe coming to life and awareness. A spark in the darkness, waiting to spread to fire.
A literary creation can appeal to us in all sorts of ways-by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art. It is the presence of art in Crime and Punishment that moves us deeply rather than the story of Raskolnikov's crime.
I don't think it's always a sign of respect for persons (inside or outside of fiction) to pretend to be able to represent, to have access to, their multi-dimensionality at every moment. That doesn't imply people aren't multi-dimensional.
The point of the overall meditative path is to have Wakefulness (or Consciousness as Such) transcend and include all state-realms, so it ceases to "black out" or "forget" various changes of state (such as dreaming and deep sleep), and instead recognizes a "constant Consciousness" or ever-present nondual Awareness, the union (and transcendence) of individual finite self and infinite Spirit.
The fantasy world, the 'Game of Thrones' world, the forgotten realms worlds - they're the type of worlds I've always wanted to live in. Where vampires, dragons, dwarves and elves are real.
People are multi-dimensional and crave a multi-sensory experience.
Many people think the Pleiadians are in spirit form, but they're not. They exist as a civilization in the fifth/sixth dimensional evolution, which is unconditional love, so they hold a much higher frequency of evolution than we do here on the planet at this time, and they are here to really bring the knowledge, the understanding, and initiations for us to align back to our own personal power.
Understanding the Chinese counterintelligence threat better will help us respond to it more effectively. China is taking a multi-faceted approach, so we've got to have a multi-faceted response.
It is not up to us to particularize, but rather to deduce that the concepts of human rights originated from the divine influence because, as far as we are concerned, we are compelled to recognize our slow individual evolution from fierce selfishness toward a universal love, from the iniquity toward true justice.
The most striking feature of the perennial philosophy/psychology is that it presents being and consciousness as a hierarchy of dimensional levels, moving from the lowest, densest, and most fragmentary realms to the highest, subtlest, and most unitary ones.
Big Shaq stems from my YouTube series 'Somewhere in London.' I just wanted to create something that was multi-character and multi-dimensional.
As you begin to feel this enormous shift of consciousness, called multisensory perception, emerging in your awareness, you begin to reorient yourself. It's a reorientation that occurs toward yourself as more than a mind and a body; it's a reorientation that occurs toward others; toward your life as meaningful, rather than predetermined. It's a reorientation that occurs toward the universe as alive, wise and compassionate, instead of inert (which means dead) and random.
Magic has often been thought of us the art of making dreams come true; the art of realizing visions. Yet before we can bring birth to the vision we have to see it.
Personal evolution has nothing to do with art, it's never. Art is a sine curve: dark and light change permanently, in cumulative radicalism. Art decides what to do. The choice of colors is made by the colors themselves. The evolution of art is the evolution of the future itself.
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