A Quote by Alex Steffen
I'm fascinated with design. I realized early that I had no talent in that direction, but I love talking with architects and designers about what they do. I appreciate applied creativity as a source of pleasure and meaning.
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What I love about design is the artistic and scientific complexity that also becomes useful . . . Great designers also pursue a mission. Great designers design with mankind in mind . . . The crossroads of science and art, innovation and inspiration are what I love about design.
Where do architects and designers get their ideas? The answer, of course, is mainly from other architects and designers, so is it mere casuistry to distinguish between tradition and plagiarism?
Design is all about relationships. Unfortunately, many designers don’t fully appreciate this. Some of the best design work I’ve ever done was drinking coffee or beers with engineers, marketing people, and business development hustlers. And I wholeheartedly mean design work.
These days, information is a commodity being sold. And designers-including the newly defined subset of information designers and information architects-have a responsible role to play. We are interpreters, not merely translators, between sender and receiver. What we say and how we say it makes a difference. If we want to speak to people, we need to know their language. In order to design for understanding, we need to understand design.
Design is more than meets the eye. Design is about communicating benefits. Design is not about designers. Design is not an ocean it's a fishbowl. Design is creating something you believe in.
Designers must educate the public that design is about strategy, not decoration. However, such attempts are repeatedly undermined by a design world hooked on competitions and awards ceremonies that celebrate creativity instead of strategy results and sustainability.
I love talking about the Kennedy assassination. The reason I do is because I'm fascinated by it. I'm fascinated that our government could lie to us so blatantly, so obviously for so long, and we do absolutely nothing about it.
I pay two full-time assistants in my studio, plus consultants who are architects, engineers, and landscape architects, as well as lighting designers.
Since September 11, it seems to me that never in our lifetime, except possibly in the early stages of World War II, has it been clearer that we have as a source of strength, a source of direction, a source of inspiration - our story.
Creativity is a central source of meaning in our lives...most of the things that are interesting, important, and human are the results of creativity...when we are involved in it, we feel that we are living more fully than during the rest of life.
If you could have magical binoculars that you could focus and look at the field of intention, you would see what the source of all things looks like. It's a source of love and kindness and beauty and creativity, and it's a source that excludes nothing and it's a source of unlimited abundance.
I love talking about the Kennedy assasination. The reason I do is because I'm fascinated by it. I'm fascinated that our government could lie to us so blatantly, so obviously for so long, and we do absolutely nothing about it. I think that's interesting in what is ostensibly a democracy. Sarcasm - come on in. People say Bill, quit talking about Kennedy man. It was a long time ago, just let it go, alright? It's a long time ago, just forget it. I'm like, alright, then don't bring up Jesus to me. As long as we're talking shelf life here.
I've never been a frustrated person because I learnt at a very young age that the frustration I had inside of me had to do with creativity and the ability to transform that into action. I realized very early my restlessness had to be channelled into things I could do.
At least since the Industrial Revolution, the world of design has been dominated by the rigors of manufacturing and mass production. Assembly lines have dictated a world made of parts, framing the imagination of designers and architects who have been trained to think about their objects as assemblies of discrete parts with distinct functions.
There are many designers who have much greater talent as a designer than I do, but they may not have my drive, they may not work as hard, they may not have the focus, the desire... You have to have a talent because, at the end of the day, if the pants you design don't make someone's butt look great, they're not going to buy them.
A large number of us have developed a feeling that architects tend to design houses for the approval of fellow architects and critics, not for the tenants.
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