A Quote by Alexandre Dumas
Your life story is a novel; and people, though they love novels wound between two yellow paper covers, are oddly suspicious of those which come to them in living vellum.
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I do not share the pessimism of the age about the novel. They are one of our greatest spiritual, aesthetic and intellectual inventions. As a species it is story that distinguishes us, and one of the supreme expressions of story is the novel. Novels are not content. Nor are they are a mirror to life or an explanation of life or a guide to life. Novels are life, or they are nothing.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
My life after childhood has two main stories: the story of the hustler and the story of the rapper, and the two overlap as much as they diverge. I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I'm so far away from that life - now that I've got businesses and Grammys and magazine covers - that I have no right to rap about it. But how distant is the story of your own life ever going to be? The feelings I had during that part of my life were burned into me like a brand. It was life during wartime.
Most people think of love as an energy between two people, which it is, but it's not only that. When we think of love in those limited terms, we become what I call "love beggars." We walk around looking for love outside of ourselves. We'll go up to people as though we have a beggar's cup in our hands and look to them to fill up our cup.
She understood now why her friend Elizabeth, with her near-genius, analytical mind gave wide berth to murder mysteries, psychological thrillers, and horror stories, and read only romance novels. Because, by God, when a woman picked up one of those steamy books, she had a firm guarantee that there would be a Happily-Ever-After. That though the world outside those covers could bring such sorrow and disappointment and loneliness, between those covers, the world was a splendid place to be.
I love the idea of spies in love. How would it work between two people who were so programmed to lie and be suspicious, who have a whole life based on pretence?
A man who is not born with the novel-writing gift has a troublesome time of it when he tries to build a novel. I know this from experience. He has no clear idea of his story; in fact he has no story. He merely has some people in his mind, and an incident or two, also a locality, and he trusts he can plunge those people into those incidents with interesting results.
I use the old Strathmore vellum surface paper, which is the best paper you can get in the Western world for ink line drawing. It has a good, hard surface.
'Ain't Them Bodies Saints' wound up becoming a love story even though it was not initially meant to be one.
I love stories. But I don't distinguish so much between a short story and a novel. Personally, when I sit down to read a novel or a Chekhov story, I'm seeking the same thing: I'm seeking that same rich portrayal of life in words.
'J' is a novel. A story about what it is like for people after a terrible event. And it is a love story, because I feel a novel is inevitably a love story.
A lot of people have trouble with their second novel - the dreaded sophomore jinx. I wrote three books in between the two novels, and they just weren't very good.
Somewhere In Time is the story of a love which transcends time , What Dreams May Come is the story of a love which transcends death . ... I feel that they represent the best writing I have done in the novel form.
Borges said there are only four stories to tell: a love story between two people, a love story between three people, the struggle for power and the voyage. All of us writers rewrite these same stories ad infinitum.
Why do I like to write short stories? Well, I certainly didn't intend to. I was going to write a novel. And still! I still come up with ideas for novels. And I even start novels. But something happens to them. They break up. I look at what I really want to do with the material, and it never turns out to be a novel.
my crime books are actually novels and are written as such. One might even say that each one is really two novels, one of which is the story I tell the reader, and the other the buried story I know and let slip now and then into a clue to whet the reader's interest.
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