A Quote by Alexander Pushkin

I want to understand you, I study your obscure language. — © Alexander Pushkin
I want to understand you, I study your obscure language.
If you want to study one of these strange organisms, you had better have a good justification. It's not good to say I want to study gene organisation in some obscure insect that no one's ever heard about.
If you want to study one of these strange organisms, you had better have a good justification. It's not good to study gene organisation in some obscure insect that no one's ever heard about.
If you want to understand geology, study earthquakes. If you want to understand the economy, study the Depression.
One can not understand language because language cannot understand itself; does not want to understand
Study a foreign language if you have opportunity to do so. You may never be called to a land where that language is spoken, but the study will have given you a better understanding of your own tongue or of another tongue you may be asked to acquire.
To hate is to study, to study is to understand, to understand is to appreciate, to appreciate is to love. So maybe I'll end up loving your theory.
Do they [the publishers of Murphy] not understand that if the book is slightly obscure it is because it is a compression and thatto compress it further can only make it more obscure?
The important thing is to be able to understand anyone who has something useful to say. - There is a general moral here. Be very careful and very clear about what you say. But do not be dogmatic about your own language. Be prepared to express any careful thought in the language your audience will understand. And be prepared to learn from someone who talks a language with which you are not familiar.
If you use your mind to study reality, you won't understand either your mind or reality. If you study reality without using your mind, you'll understand both.
I like the idea of the audience absorbing the language and getting to understand it as they journey through the film. It starts off being more obscure, but you get used to it. A 'Clockwork Orange' thing. I read 'Clockwork Orange' without any vocabulary, and I got to understand the words as I went through it. I like that process. It immerses you.
Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
If you want to be a doctor, a lawyer you must go to college. But if you want to be a musician or such, study your craft. Study music.
First you look for discipline and control. You want to exercise your will, bend the language your way, bend the world your way. You want to control the flow of impulses, images, words, faces, ideas. But there's a higher place, a secret aspiration. You want to let go. You want to lose yourself in language, become a carrier or messenger.
Spanish is actually my first language, growing up, and I understand the culture. I understand the culture; I understand what the people want.
If you want to be healthy study health... if you want to be wealthy, study wealth... if you want to be happy, study happiness.
I can't relate to lazy people. We don't speak the same language. I don't understand you. I don't want to understand you.
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