A Quote by Alexander Chee
Characters to me are like sonnets, they have limits that you obey which allow a force to enter in, an invention that makes the novel possible. Change the limits and the force leaves. The novel becomes impossible.
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I think there's a great homogenizing force that software imposes on people and limits the way they think about what's possible on the computer. Of course, it's also a great liberating force that makes possible, you know, publishing and so forth, and standards, and so on.
In the spiritual domain, criticism is love turned sour... If criticism becomes a habit, it will destroy the moral energy of the life and paralyze the spiritual force... Whenever you are in a critical temper, it is impossible to enter into communion with God. Criticism makes you hard and vindictive and cruel, and leaves you with the flattering unction that you are a superior person. It is impossible to develop the characteristics of a saint and maintain a critical attitude.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
The whole system is under tremendous strain. Although the increasing pace of change is essential for developing new solutions, it is also pushing society to its limits. In global structures, it all comes to a head in the form of sudden crises. This leads to tipping point situations in which the seemingly impossible becomes possible.
A novel is not an allegory.... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.
But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel ... it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended.
...What you are is a force--a force that makes it possible for your body to live, a force that makes it possible for your whole mind to dream...You are life
Contemporarily, we struggle with people worried about representation sometimes. It's a burden, as artists, that we take on that limits the work. It limits the characters people play. It limits the roles they want to do.
In the province of the mind what one believes to be true, either is true or becomes true within certain limits. These limits are to be found experimentally and experientially. When so found these limits turn out to be further beliefs to be transcended. In the province of the mind there are no limits.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
The catechism says rich nations should welcome strangers within the limits of the possible. In Italy, we have reached the limits of the possible.
I've never been able to force a novel. I always had the sense something being given to me. You can't sit around and wait until inspiration strikes, but neither can you force into being something that isn't there.
It is impossible for a Die, with such determined force and direction which makes it fall on such a determined side, only I don't know the force and direction which makes it fall on such a determin'd side, and therefore I call that Chance, which is nothing, but want of Art.
The libertarian approach is a very symmetrical one: the non-aggression principle does not rule out force, but only the initiation of force. In other words, you are permitted to use force only in response to some else's use of force. If they do not use force you may not use force yourself. There is a symmetry here: force for force, but no force if no force was used.
A memoir is not an autobiography. It's a true story told as a novel, using techniques of novelization. The author is allowed to compress events, combine characters, change names, change the sequence of events, just as if he's writing a novel. But it's got to be true.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
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