A Quote by Alexandra Petri

No generation has escaped it - one morning, your skill with the eight-track or the record player or the cotton gin suddenly ceases to impress. It's just one of those inevitable disappointments that come with growing up, like the realization that Santa doesn't exist or the way that music always takes a turn for the worse after you turn 30.
You never hold back. If I turn up to the track and feel cautious or not committed, I turn around and go home. If you don't have that full commitment when you're pedaling into a 40-foot jump, there's not much room for error, and you'll come off worse.
You don't turn the cheek. I was always taught you turn your head at somebody coming after you, you're going to get hit in the back of the head or worse.
I was down after divorce - I was all the way down. And I just felt like, "God, I gotta turn this around. I can't go down like this. I have to know that this is happening for a reason." And I knew that I had to turn to music.
Turn your nightmares into your dreams , some dreams don't turn out the way you want them to , then wake up and turn and turn it around in your favour.
My old life was really hard. I had to get up at 4:30 A.M. in the morning to pay the bills. You know that if you don't turn up you don't get paid. It has really helped me knuckle down as a dart player and treat it like a job.
My mami and papi love my music. They're always listening to the radio waiting for one of my songs to come on. And when it does, they turn up the volume - and turn it back down when it's over.
You turn up your music to hide the noise. Other people turn up their music to hide yours. You turn up yours again. Everyone buys a bigger stereo system. This is the arms race of sound. You don't win with a lot of treble.
A true sonnet goes eight lines and then takes a turn for better or worse and goes six or eight lines more.
I was 30 when I did 'The Matrix.' When you turn 30, your life and your world view change. I remember feeling relieved - it was like I was seeing things in a deeper way.
If we're going to be getting treated like that, why can't we treat the clubs like that? I just want to see the game and the players looked after the way they should be because the crowds don't turn up to watch David Gallop play... they turn up to watch the players play.
I would always drink purple drink - syrup. I would just be in a room, screwing and chopping up music. It was like an alter ego - I would turn into another person when I was on a substance. My music would get darker and weirder, and it inspired a lot of people. But I've changed my life and stopped smoking. I like to turn up and have fun when I get the chance, but I don't overdo it now.
I think there's an inevitable fact that I somehow absorb part of what I'm doing, because that's what you're constantly thinking about, and that's what's in your veins, and that's what you get up at 4:30 in the morning for and fall into bed after.
I don't like to feel like I'm in a club when I'm in my car and I turn on the radio. Anything that ceases to be a song and just sounds like house music kind of stresses me out.
One of my pleasantest memories as a kid growing up in New Orleans was how a bunch of us kids, playing, would suddenly hear sounds. It was like a phenomenon, like the Aurora Borealis -- maybe. The sounds of men playing would be so clear, but we wouldn't be sure where they were coming from. So we'd start trotting, start running-- 'It's this way! It's this way!' -- And sometimes, after running for a while, you'd find you'd be nowhere near that music. But that music could come on you any time like that. The city was full of the sounds of music.
Let's turn to the West, Let's turn up the music, Let's hope it's always as good as this
You turn up in the morning, you get through hair and make-up, and then you are on set working until it's time to go home. And I love that. Coming from the theater, you just turn up and you're ready for whatever happens. That energy really appeals to me.
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