A Quote by Alexis Bledel
Each character is a completely whole person with their problems and many sides to their personality. It's so rich with details as well, like the set.
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Each film and each character is a completely new set of challenges. It doesn't feel like you can rest on something you may have done well in the past.
Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of 'Twilight,' and then it happened again on 'New Moon.' Each time my character Bella became a different person, and I got to know that person and take her to the next level.
Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of Twilight, and then it happened again on New Moon. Each time my character Bella became a different person, and I got to know that person and take her to the next level.
I try to find what is closest to me in the character. There's many sides to personality, but it's a matter of, do you entertain those specific areas of your personality, or are you afraid to entertain them?
It’s ignorant to think you know everything about a person. There’s many different sides to everybodys personality and there’s just different colours to a personality.
No matter what character your play. I feel like whenever anyone is honest and whole and well-written, you're going to be able to connect to that person because we're all kinda made up of the same stuff and I think that's always one of the really powerful things about approaching each individual character and role and film.
I'm naturally a personable person. I feel like figuring out ways to have my personality shine through outside of just a three minute song helped. I have layers, there are many different sides to Torae.
If you think of even Tolstoy or a book like 'Anna Karenina,' you go from character to character, and each section is from the third person perspective of a different character, so you get to see the whole world a little more kaleidoscopically that way. That's traditional narrative manner, and I haven't done a book like that before, but I enjoyed it.
Doubt is thought's despair; despair is personality's doubt. . . . Doubt and despair . . . belong to completely different spheres; different sides of the soul are set in motion. . . . Despair is an expression of the total personality, doubt only of thought.
There are two different sides of my personality, much like everyone has two different sides of their personality. I mean, it's a profession... It's something that I do. And I'm not Erika Jayne 24 hours a day.
I'm pulling out different aspects of my personality in writing each character and, if I'm doing my job well, I'm being true to the situation and true to the character.
For me, the beauty of a person is a matter of the whole package. You have to look at the whole thing, not just a matter of outward appearance or whatever. It has to do with one's character, personality, upbringing and so on.
Character is too deep to catch in a single storyline. What really moves us - what makes the great stories, and there aren't so many of them - is the inevitability of character. The destiny. All we see is the arc. We'll never penetrate the secrets of the living, let alone the dead. I've spent my whole life trying to understand people, and all I've learned is that the deeper we look, the greater the mystery. At the core, each person is unknowable. Maybe that's the soul? I have to respect that. The mystery, in fact, is what I've loved the most, in people and in stories as well.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
Bob Duvall is a great actor because each time out, he creates a whole, complete character. You have the feeling that you're not seeing an actor at all, but a fully realized human being. Think of how he was in The Godfather. If you didn't know Bobby, you'd think that he really was Tom, the consigliere. Then you see him in Santini, and he's completely different. He's not only a personality, he's a consummate actor.
I'm not big on fat jokes. That's a little beneath me. I'm not a huge fan of making a joke completely at someone else's expense. Even though I think he does it better than anyone else, I don't love... Well, it's different with Sacha Baron Cohen, but that whole thing where you're "punking" people? I don't like that. I don't like doing it, and I don't particularly find it funny when the joke is on a person who doesn't know they're being set up.
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