A Quote by Alain de Botton

I think of myself as quite a shy person. But when I'm curious about something, I'll go quite far to satisfy my curiosity. — © Alain de Botton
I think of myself as quite a shy person. But when I'm curious about something, I'll go quite far to satisfy my curiosity.
I'm a very curious person. And most people are charmed by curiosity - especially if you are curious about them or what they are doing . . . unless they are breaking into a car or something.
There's something about the kind of time travel that a poem can provide. It can take you to somewhere else - a culture far from you, a language far from you, but suddenly you're there. You're that person, seeing with that person's eyes. I think that's really tremendous. Even things like cinema or more traditional history can't quite do that.
I was 26 when I went to my first acting class. I'm naturally quite shy. I'm a quite private person. There's this really strange acting class in New York called Black Nexxus. For someone who's slightly shy or self-conscious, it's the most frightening thing you can do.
In personal life, I'm quite a shy person and keep things to myself.
I'm quite shy. Really. I'm trying to expand myself as a person more, get involved with people.
We imagine what this country is, but quite clearly, this country is a mystery. I mean, one of the reasons I did the election ads is, I thought I could learn something. Like, what the hell is going on? I think anybody - particularly a person of leftist persuasion such as myself - who stops and thinks even for a moment, realizes that something strange is going on and we don't quite get it.
While I don't satisfy my curiosity about the way I work, I'm terribly curious about the way other poets work. But I would think that's true about many of us.
I actually think of myself as quite a shy person, although I know I give the impression of someone much more confident. I think what I do have is a capacity to listen to the other, even if the other is an opponent. That leads, in all senses of the word, to an engagement.
I don't find myself interesting as a person and the details I find boring, quite frankly. You could sum it up in a few words or sentences really: came from nothing. Self-educated. Luck. Energy. Curiosity. Ambition. That's it. Nothing at all can illuminate the work as far as I can tell.
I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.
I really hate being recognised. I'm quite a shy person, and I'm not very good at talking to strangers. So when people come up to me in the street, I just find it quite awkward. I don't really know what to say to them.
I'm a permanently curious person. I probably waste my time being curious about things that have got nothing to do with the business sometimes. What keeps me alive, certainly, is curiosity.
The biggest quest to learn anything is curiosity. If you are curious about something, you will go and dig.
With regards to the paint, I'm normally quite introverted and shy. I keep myself to myself, and I find that when I hide behind the paint, so to speak, I'm able to let myself go more and move more freely than I can without it.
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
I don't think of myself as a maverick at all. Quite the opposite - I really think of myself as quite conventional but dispersed over unusual territory.
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