A Quote by Alain de Lille
An abstract style is always bad. Your sentences should be full of stones, metals, chairs, tables, animals, men, and women.
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All women, and men of color - we were owned like tables and chairs. We spent a hundred years getting a legal identity as human beings. That's a big thing.
A common mistake people make regarding dining rooms is to buy a matching set of table and chairs, which can be monotonous. I like to mix guest chairs in one style and head chairs in another for a more interesting, dynamic look.
All my life I have said, "Whatever happens there will always be tables and chairs"--and what a mistake.
The original version of C did not have structures. So to make tables of objects, process tables and file tables and this tables and that tables, it really was fairly painful.
We no longer think of chairs as technology; we just think of them as chairs. But there was a time when we hadn't worked out how many legs chairs should have, how tall they should be, and they would often 'crash' when we tried to use them.
How absurd these words are, such as beast and beast of prey. One should not speak of animals in that way. They may be terrible sometimes, but they're much more right than men...They're never in any embarrassment. They always know what to do and how to behave themselves. They don't flatter and they don't intrude. They don't pretend. They are as they are, like stones or flowers or stars in the sky.
Everything from the little house was in the wagon, except the beds and tables and chairs. They did not need to take these, because Pa could always make new ones.
I walked down the hall and saw that [she] was sitting on the floor next to a chair. This is always a bad sign. It's a slippery slope, and it's best just to sit in chairs, to eat when hungry, to sleep and rise and work. But we have all been there. Chairs are for people, and you're not sure if you are one.
Men's clothing is more pure in design. It's more simple and has no decoration. Women want that. When I started designing, I wanted to make men's clothes for women. But there were no buyers for it. Now there are. I always wonder who decided that there should be a difference in the clothes of men and women. Perhaps men decided this.
Many men I come across see women in an antagonistic way, and it's always the basis for a bad relationship. What I mean by that is men who come with pre-conceived notions that women are trying to tie them down, or hold them back, or that women are shallow, or that women are only attracted to money, or whatever it is.
In general, in the matters that relate to theology or behavior, people to one another, Paul was obviously biblically correct. But when he said that women should always cover their hair or that women should not teach men, women should not have leadership positions in the church, women should not speak in the church, I don't' think that those writings of Paul can be extracted by themselves to stand alone. Also, Paul said that women should be subservient to their husbands but if you read a couple of verses down it says husbands should treat their wives as equals.
I am more greatly moved by people who struggle to express themselves...I prefer the abstract concept of incoherence in the face of great feeling to beautiful, full sentences that convey little emotion.
When thousands of men and women work full time but need food stamps to put food on their tables, when they can't get health benefits, when they can't get paid sick days, then we must do whatever we can to stand up for them.
We no longer think of chairs as technology, we just think of them as chairs. But there was a time when we hadn't worked out how many legs chairs should have, how tall they should be, and they would often "crash" when we tried to use them. Before long, computers will be as trivial and plentiful as chairs and we will cease to be aware of the things. In fact I'm sure we will look back on this last decade and wonder how we could ever have mistaken what we were doing with them for "productivity"
The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.
One of the women at the clinic had remarked dryly that Harrow's personal magnetism not only affected men, women and children but also extended to armoires, assorted chairs and the nearby goldfish in a bowl.
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