David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He's someone who's into controversy, you know what I mean? That's David Mamet.
I so find Harold Pinter and David Mamet's writing to be exciting, and obviously there aren't that many female - at least with Mamet, there aren't that many good female roles. But I always thought it would be interesting to play one of the guy roles.
I would probably do anything with David Mamet. He's so great. I just love his writing.
David Mamet was great to work with. He was everything that I thought he would be as a director. He's incredibly articulate, an easy collaborator. Extraordinarily knowledgeable about film and writing.
[David] Mamet's the writer I admire most but he's way off from when he tries to talk about what the moral appeal of liberal thought is. His heart is not in it.
I consider myself a Jewish writer, like all my heroes: Tom Stoppard, David Mamet, Philip Roth, Arthur Miller, Woody Allen.
Some actors are brilliant in David Mamet, but they would crash and burn in my plays and visa-versa. You either have my music in your body, or you don't.
The conventional wisdom with David Mamet is, you do not change a word. And that agrees with me. If you want to change any of David's words, it's like wanting to change the iambic pentameter in Shakespeare - you should do something else.
I think I'm better than Mamet, I would say.
My first acting class was taught by a little known playwright, David Mamet, who then cast me in my first play, opposite John Malkovich.
For the record, if you're not a stage actor, climbing onto Broadway and tackling something like David Mamet is not an easy thing to do.
Any time you get to do a David Mamet play, it's a great opportunity. His writing is such that I think it's a big challenge, but when you get it right, it's a great opportunity to play every night, really.
I studied acting in NYU's graduate program, in which we covered everything from Ibsen and Chekov to August Wilson and David Mamet.
Val Kilmer gave my husband, David Mamet, a Randall knife as a gift when the two of them were making the film 'Spartan.'
My husband is a graduate of two Ivy League universities - with a degree in Classics! - and he sounds like a David Mamet character when I hear him on a business call.
When I was growing up in the '80s and working in the theater, David Mamet exploded with a whole new reworking of what dialogue should sound like. It was punchy and raw and repetitive, bursting with dynamic. I remember that switching on a lot of lights for me.