A Quote by Allen Ginsberg

We are great writers on the same dreadful typewriter — © Allen Ginsberg
We are great writers on the same dreadful typewriter
When you consider all the writers who never even had a machine. Who would have given an eyeball for a good typewriter. Any typewriter. All the ones who wrote on a matchbook covers. Paper bags. Toilet paper. Who had their writing destroyed by their jailers. Who persisted beyond all odds.
You could walk around behind the typist and read the text, which was about hearing, and what you heard was the sound of the typewriter. Of course, this was a pre-electric typewriter, a typewriter that made noise.
Salinger is such a terrific writer; he did so many great things. He is one of those writers that I still reread, simply because he makes me see the possibilities and makes me feel like writing. There are certain writers who put you in the mood to write. In the way a whiff of a cigar will bring back memories of a ballgame on a Saturday afternoon, reading Salinger makes me want to get to the typewriter.
In the old days, writers used to sit in front of a typewriter and stare out of the window. Nowadays, because of the marvels of convergent technology, the thing you type on and the window you stare out of are now the same thing.
One thing I'd do was put a great writer's book beside the typewriter and... type out a beautiful and moving paragraph... and see those sentences rising up... and... think, 'Someday maybe I can write like that....' It was like a dream of possibilities for my own self. And maybe I began to know that there was no other way for the sentence... to... arouse the same feeling. The someone writing whose words were rising from the typewriter became like a mentor for me.... You shouldn't do it more than a few times because you must get on with your own work.
You might say, 'What a dreadful day', without realizing that the cold, the wind, and the rain or whatever condition you react to are not dreadful. They are as they are. What is dreadful is your reaction, your inner resistance to it, and the emotion that is created by that resistance.
I guess when I was younger, I'd have assumed that in 2008 music would be full of great writers following in the tradition of the young great writers of the '60s and '70s, but it hasn't turned out that way, or at least there are no other writers around that I look at and think: 'Wow, I'm outclassed, I need to get out of this business.'
Good writers borrow from other writers. Great writers steal from them outright.
As a writer, you have to believe you're one of the best writers in the world. To sit down every day at the typewriter filled with self-doubt is not a good idea.
I'm not one of those writers I learned about who get up in the morning, put a piece of paper in their typewriter machine and start writing. That I've never understood.
I think I sit down to the typewriter when it's time to sit down to the typewriter. That isn't to suggest that when I do finally sit down at the typewriter, and write out my plays with a speed that seems to horrify all my detractors and half of my well-wishers, that there's no work involved. It is hard work, and one is doing all the work oneself.
There are writers who are great visionaries, who can depict huge movements - things like that. They're the great writers. I'm just the other kind.
I had a TV set and a typewriter and that made me think a computer should be laid out like a typewriter with a video screen.
I use an IBM Thinkpad. I just use it like a typewriter, but when I started using it in 1987, I thought I won't be able to write anymore, so I thought I'd go back to the typewriter. But you couldn't go back to the typewriter after using the computer.
That's sad too, people cannot do anything that dreadful they cannot do anything very dreadful at all they cannot even remember tomorrow what seemed dreadful today
If the writers all come from the same backgrounds, you are going to get the same sorts of characters. Get a broader variety of writers, and you get a bigger range of stories.
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