A Quote by Al Jourgensen
The very first pharmaceutical commercial I ever heard was 15 seconds of the product and 45 seconds of side effects, so I know that this cannot be good for you.
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What I learned most was how to tell a story in 15 seconds or 30 seconds or 60 seconds - to have some kind of goal of what to try to do and make it happen in that time.
In composition you have all the time you want to decide what to say in 15 seconds, in improvisation you have 15 seconds.
Consider the oddity of those drug commercials on television. Fifteen seconds of the purported therapeutic effort, followed by about 45 seconds of a rapidly muttered list of horrific possible side effects. When the ad is over, I can't remember a thing about what the pill is supposed to do, except perhaps cause nausea, liver damage, projectile vomiting, a nasty rash, a four-hour erection, and sudden death. Sudden death is my favorite because there is something comical about it being a side effect. What exactly is the main effect in that case? Relief from abdominal bloating?
17 seconds from Game 7, or from Championship number 6,Jordan, open, Chicago with the lead. Time out Utah, 5.2 seconds left, Michael Jordan running on fumes with 45 points.
I have pictures of my daughter, in the hospital, at three seconds, six seconds, nine seconds, and then fifteen seconds, 'cause dumbass couldn't get the camera ready fast enough. Yeah, ha ha ha. She wrote that in the photo album.
It only takes around 60 seconds to cast your vote in the polling station. 60 seconds to protect the economy, 60 seconds to protect your jobs, 60 seconds to protect the services your family relies on. A lot is at stake during those 60 seconds.
Let's say music is needed for only 43 seconds of film. You have to score it so it is an entity, so it won't bother anyone when it ends so quickly. Or if a song runs 2 minutes and 45 seconds, but the titles run a minute longer, you have to arrange that song so it doesn't get repetitious.
On either side in Time, there's nothing similar to Now, only memories or imaginings . The place you were ten seconds ago has vanished, and what is the place ten seconds ahead? There is nothing there. It's very odd.
I'm not as religious as some people about "the album." To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that's 45 minutes. You had A-side songs and B-side songs; I always loved the first song on side B. And there's nothing wrong with that. Prog albums of the 70s adapted to that format very much. But not all musicians want to create 45 minutes of music that has to be listened to in chronological order.
In 1968 I ran into Steve Lacy on the street in Rome. I took out my pocket tape recorder and asked him to describe in fifteen seconds the difference between composition and improvisation. He answered: "In fifteen seconds the difference between composition and improvisation is that in composition you have all the time you want to decide what to say in fifteen seconds, while in improvisation you have fifteen seconds." His answer lasted exactly fifteen seconds.
I make mistakes, and sometimes in split seconds. Then seconds later I know how wrong I was.
I'm not sure if a grinning Irish guy who is speechless for 45 seconds is going to make good TV.
It's very interesting, the joke comes first and then the wording comes within five seconds, maybe ten seconds. My thing is to get the joke across in as few words as possible. However, sometimes a word that's not really needed does help the rhythm of it. It's a gut feeling.
It takes more discipline than you might imagine to think, even for thirty seconds, in the noisy, confusing, high-pressure atmosphere of a film set. But a few seconds' thought can often prevent a serious mistake being made about something that looks good at first glance.
Zeroes are important. A million seconds ago was last week. A billion seconds ago, Richard Nixon resigned the presidency. A trillion seconds ago was 30,000 BC, and early humans were using stone tools.
There's nothing in the world like live entertainment. With TV, you have to wait for your results; with live entertainment, people let you know right then and there. That relationship is established in 30 seconds. The first 30 seconds, they'll let you know whether they like you or not.
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