A Quote by Al Madrigal
You re-watch 'Napoleon Dynamite', and there's a lot of thrift shopping that goes on in that movie; there's a lot of funny stuff. It's definitely amusing, and paying 99 cents for a samurai sword is amazing.
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I really like 'Passion of the Christ.' I like that movie. I also like 'We Were Soldiers,' and 'Braveheart.' And 'Napoleon Dynamite' - that movie was funny.
I watched the 'Seven Samurai' a lot because I loved it growing up. I can't describe to you how powerful that was. When you're a kid, you can't watch an almost-three-hour movie, but this was a war I just never saw before, with these samurai. I could relate to it, just being poor.
Quentin wanted to create this special world in which everybody walks around with a samurai sword, extras in the airport, a special little place in the airplane to stick your samurai sword.
In Silicon Valley, there are a lot of startups using computer vision for agriculture or shopping - there are a lot for clothes shopping. At Baidu, for example, if you find a picture of a movie star, we actually use facial recognition to identify that movie star and then tell you things like their age and hobbies.
The new book is a result of my well-documented... absorption in Samurai movie culture. It's called 'The 47th Samurai: A Bob Lee Swagger novel,' and it takes Bob to Japan in search of the sword his father recovered on Iwo that has gone missing under extremely violent circumstances.
I have a lot of male friends that I go the cinema with and movie and shopping. A lot of men friends I know love shopping.
I watch a lot of Kevin Nash's matches. I use a lot of his stuff. I definitely use a lot of his mannerisms.
The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
Housing Works is the coolest thrift store in the world, because not only are they the best thrift store - they're not the most thrifty thrift store - but they have amazing stuff and all of their proceeds go directly to kids, mostly homeless kids, living with AIDS and HIV in New York, in the metropolitan area.
My weapon of choice is the nunchuck. I do like the bo as well, which I use, the staff. I'm not so good with the sword, but I picked a lot of stuff up on 'Ninja 1' with the sword.
The whole problem with the world today: private property. If no one owned anything, it would be a lot better. There's even an entire industry devoted to keeping an eye on other people's stuff. This is how stupid it's got. If you decide to get rid of a lot of your stuff, you can give it to a thrift shop or to Goodwill.
The music you play, it's never intended for other people, so it's quite amazing dealing with stuff now, because obviously any tracks I write, a lot of folks are going to hear. It definitely plays on my mind quite a lot.
Very often, things that people may think come from the writer, very often don't. There's a lot of cooks in the kitchen when it comes to making a movie. When you hear a line of dialogue that sounds kind of tinny, it's pretty easy to cite the screenwriter. But there's a lot of stuff that goes into making a movie.
A lot of the content that goes directly to the internet, or is web-created content, is very hand-held video where you can watch this woman fall off the coffee table, or see a funny little gag, or is interview-style stuff, which is great. I love that. I consume it like crazy. But, this is designed to be reminiscent of what you would see during primetime, and reminiscent of what you would see in a movie theater, on any given weekend, and in that regard, it's brand new.
I believe samurai in the Edo period and modern hip-hop artists have something in common. Rappers open the way to their future with one microphone; samurai decided their fate with one sword.
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