A Quote by Al Pacino
The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
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I didn't see an abstract painting until I was 18, when I went to Vincent Price's house and saw Richard Niebencorn, Wolff, Jackson Pollack. He had an amazing collection. I didn't know people painted abstractly, I thought I was just doing something wholeheartedly.
All really great artists, Jackson Pollack, John Cage, Beckett or Joyce - you are never indifferent to them.
I want to give my compliments to Australia. Ever since your government paid a few million dollars for a Jackson Pollack painting, I figure that it must be a marvellous country.
I want to give my compliments to Australia. Ever since your government paid a few million dollars for a Jackson Pollack painting, I figure that it must be a marvellous country
Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
Michael Jackson did something that no one else in history has managed - he connected with people on every level imaginable, all over the world. He seemed to speak to people at their very core and achieved the impossible. He reached people on a deep emotional level. And that is what any great artist or showman dreams of doing. That is why Michael Jackson was so special to me.
As a child, I was rather active for my age. Sensing something special about me, my father told me that I had the vision to accomplish great things in life. He always encouraged me to do what I wanted to do - and this has stood me in good stead.
When Glenda Jackson reveals that she has never been in a relationship with a man in which he hasn't raised his fists to her, I don't know whether this tells us more about the contemporary male or about Glenda Jackson.
One time, this guy at this music festival would not let me off the hook that I was Percy Jackson. He was like, 'Quit lying to me, bro, I know you're Percy Jackson.' I was like, 'I swear to God, I'm not Percy Jackson.'
You know how you either grow up in a Michael Jackson house or a Prince house? For me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him.
He sometimes felt that life was something that had already risen, and all of this, the Jackson Pollack of spring, summer, and fall, the vague refrigeration and tinfoiled sky of wintertime, was just a falling, really, originward, in a kind of correction, as if by spritual gravity, towards the wiser consciousness--or consciousnessless, maybe; could gravity trick itself like that?--of death. It was a kind of movement both very slow and very fast; there was both too much and not enough time to think.
You aspire to be as great as Michael Jackson is as an artist. I don't think any artist in pop, rock or hip-hop has ever done it any bigger than him. You know what I mean? He's the man.
How do you make something the same but different? That's the question I had to deal with in my approach to the cover painting for 'Percy Jackson's Greek Heroes.' I wanted it to have many similarities to 'Percy Jackson's Greek Gods,' but I knew they couldn't be too similar.
The best thing about being a Yankee is getting to watch Reggie Jackson play every day. The worst thing about being a Yankee? Getting to watch Reggie Jackson play every day
Listen, Michael Jackson is really funny. To have time to spend with him and actually be around him, he's not what....people think he is. Michael Jackson's like a black belt too, so he will kick your ass if you say something about him." In disbelief the interviewer replied "No, really?" to which Will said, "Yes, Michael Jackson kicked over my head!
The thing about Reggie (Jackson) is that you know he's going to produce. And if he doesn't, he's going to talk enough to make people think he's going to produce.
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