A Quote by Albert Camus
Most men are like me. They cannot live in a universe where the most bizarre thought can in one second enter into the realm of reality--where, most often, it does enter, like a knife in a heart.
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Writing and creating, those things come to me on their own. I feel like... you sort of summon them and it's like allowing the universe to enter your heart in an entirely different way to what it normally does. It's like inviting that energy of the universe to enter into your craft in a way where it has a meaning.
To enter upon the marriage union is one of the most deeply important events of life. It cannot be too prayerfully treated. Our happiness, our usefulness, our living for God or for ourselves afterwards, are often most intimately connected with our choice. Therefore, in the most prayerful manner, this choice should be made.
To know the reality one has to enter into the realm of Meta-science, beyond mind, which is only possible when we enter into the collective super-consciousness through self-realisation.
The knife is the most permanent, the most immortal, the most ingenious of man's creations. The knife was a guillotine; the knife is a universal means of resolving all knots.
The knife is the most durable, immortal, the most genius thing that man created. The knife was the guillotine; the knife is the universal means of solving all knots; and along the blade of a knife lies the path of paradox - the single most worthy path of the fearless mind.
I think in my late 20s, I was starting to enter that realm of complacency, which is the most terrifying place I can imagine as an artist. I felt time creeping up on me.
The person whose doors I enter with most pleasure, and quit with most regret, never did me the smallest favor.
It is like visiting one's funeral, like visiting loss in its purest and most monumental form, this wild darkness, which is not only unknown but which one cannot enter as oneself.
We cannot enter the realm of the heart where one gender, representing half of the human race, is subordinated, suppressed, or forgotten. In fact, such a system negatively affects both men and women, holding us all back from true integration, collaboration, and union.
And the fear of not being is born in that space. But in meditation, when this is understood, the mind can enter into a dimension of space where action is inaction. We do not know what love is, for in the space made by thought around itself as the me, love is the conflict of the me and the not-me. This conflict, this torture, is not love. Thought is the very denial of love, and it cannot enter into that space where the me is not. In that space is the benediction which man seeks and cannot find. He seeks it within the frontiers of thought, and thought destroys the ecstasy of this benediction.
Losing so many patients certainly was difficult, but it didn't make me feel like a failure as a physician, because I had learned that there was so much more to being a physician than curing illness. That's not the most important thing we do. The most important thing we do is enter into the suffering of others.
One thing is certain: the arts keep you alive. They stimulate, encourage, challenge, and, most of all, guarantee a future free from boredom. They allow growth and even demand it in that time of life we call maturity but too often enter it with a childish faith that what we learned in youth is sustenance enough for the years when most men are mentally famished but won't admit it—or when they are apt to curb their hunger with the sops of complacency, security, and the assurance of death.
Cancer is a passport to intimacy. It is an invitation, maybe even a mandate, to enter the most vital arenas of human life, the most sensitive and the most frightening, the ones that we never want to go to - but when we do go there, we feel incredibly transformed.
The Dunya is like the ocean and our heart is like the ship. If a ship allows the water to enter, it will sink. Just like when we allow the Dunya to enter our heart.
Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.
. . .the most astonishing, the most surprising, the most marvelous, the most miraculous. . . the greatest, the least, the rarest, the most common, the most public, the most private till today. . . I cannot bring myself to tell you: guess what it is.
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