A Quote by Albert Camus

We [Raymond and Meursault] stared at each other without blinking, and everything came to a stop there between the sea, the sand, and the sun, and the double silence of the flute and the water. It was then that I realized that you could either shoot or not shoot.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written.
I hate when the sun is high and there are no shadows. If I could do super high-budget movies, I would only shoot when the sun starts to get low - but you can't just shoot for four hours every day.
I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written. But with the multi-camera digital setup, you're getting both sides of the scene at the same time, so it gives you that freedom to go off-book.
Haven't you ever heard of the saying, "If you want to shoot the general, first shoot the horse!"?' --Lin If you wanna shoot the general, then you should just SHOOT THE GENERAL!' --Ed
I'm trained to look for certain things... I shoot, I shoot, I shoot, and then I go find it in the ether.
When every guy on the team and the coaching staff is telling you, 'shoot it, shoot it,' obviously I've always known I could shoot it, but it was more of a trying to get the guys involved and being that middle man.
I think not being a professional photographer was actually a blessing, because it allowed me to shoot things professional photographers wouldn't shoot, or wouldn't try or attempt to shoot without lights. So I did all my stuff natural and without lights.
She glanced rapidly between them, blinking and hoping her double vision would go away. They were glaring at each other. Would they fight? If she saw her own double she probably be tempted to punch it once or twice. Especially today. For being so stupid.
We can either allow our youth to shoot baskets or watch them continue to shoot people.
I can't relate to the people who shoot wolves. I'm guessing the person who shot Wolf 06 wouldn't relate much to me either. You let people go out and shoot hundreds of wolves and watch violent movies, and then you're surprised when they go on a rampage shooting other humans. You can't separate violence like that.
You know, differentiating between training and matches. If they are all matches it becomes very natural to shoot them, although Dan thinks I should shoot more of them. I think I shoot plenty of them.
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
Don't overthink things in front of you. I fit moves you, shoot it. If it's fun, shoot it. If you've never seen it before, shoot it.
If you shoot for the stars and hit the moon, it's OK. But you've got to shoot for something. A lot of people don't even shoot.
If I'm going to spend the whole night waiting for you guys to stop flirting and shoot each other, I want to at least be entertained.
This site uses cookies to ensure you get the best experience. More info...
Got it!