A Quote by Albert Camus

It occurred to me that anyway one more Sunday was over that Maman was buried now, that I was going back to work, and that, really, nothing had changed. — © Albert Camus
It occurred to me that anyway one more Sunday was over that Maman was buried now, that I was going back to work, and that, really, nothing had changed.
Women in the past thought all they had to do was see if he comes home late, or smells like cigarettes. But nothing's really changed, right? People still cheat. They're going to do what they're going to do. But now that sex work is more private, there's that chance to have a double life.
For my first race, when I was 19, I'd bought a 600cc bike. And that was far too big for me, really. I shouldn't have really had something like that. But anyway, I went and raced, and I crashed. In my very first race! But I never gave in. I kept going back and back and back.
When I took over 'New Mutants,' writing and drawing, and I figure this is a big deal, I'm 23, 22 at that time, and I am nervous because I've had nothing but success. And now they're giving me the entire platform to create. And I figure, if I fall flat on my face here, it's going to hurt. It's going to set me back.
I don't really think about my work in terms of whatever money it makes. That's just a bonus. I'm just going to do the work anyway, so whatever comes back is good with me.
I know absolutely nothing about where I'm going. I'm fine with that. I'm happy about it. Before, I had nothing. I had no life, no friends, and no family really, and I didn't really care. I had nothing, and nothing to lose, and then I knew loss. What I cared about was gone; it was all lost. Now I have everything to gain; everything is a clean slate. It's all blank pages waiting to be written on. It's all about going forward. It's all about uncertainty and possibilities.
Back in my late teens, early 20s I always wanted to be a James Bond girl. That's totally different now. My life has changed so much, my priorities have changed. I don't know if I really have a dream role. I want to go to work every day where there's a role that I really enjoy and I believe in.
After most deaths, I imagine, the awfulness lies in how everything’s changed….there’s a hole. It’s person-shaped and it follows you everywhere…. For us what was killing was how nothing had changed. We’d been waiting to be transformed, and now here we were, back in our old life.
We once believed we were auteurs, but we weren't. We had no idea, really. Film is over. It's sad nobody is really exploring it. But what to do? And anyway, with mobile phones and everything, everyone is now an auteur.
We once believed we were auteurs but we weren't. We had no idea, really. Film is over. It's sad nobody is really exploring it. But what to do? And anyway, with mobile phones and everything, everyone is now an auteur.
For the first time in a long time I thought about Maman. I felt as if I understood why at the end of her life she had taken a 'fiancé,' why she had played at beginning again. Even there, in that home where lives were fading out, evening was a kind of wistful respite. So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too.
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
When you think of all the things that have happened, since that problem with computers in 2000 and everybody was afraid and they were buying water, imagine what Millennium would do with all the things that are going on in the world right now. It has the capacity to be a movie. But, anyway, I loved doing it. It changed my life because the guy that I was playing was so much more educated and smarter than I was, so I had to live up to it.
As I bent over the washboard and looked at my arms buried in soapsuds, I said to myself, 'What are you going to do when you grow old and your back gets stiff?' This set me to thinking, but with all my thinking I couldn't see how a poor washerwoman was going to better my condition.
It's not that big a mystery about types. It's not even that big a mystery why so many people are picking up on things now. It's like we were talking about the primitive thing before and all that. Nothing has really changed much. The things that have changed are like we're on the noon now. There are more buildings now. But we're still basically two monkeys sitting here.
in coming to terms with the newly dead, I seem to have agitated the spirits of the long dead. They were stirring uneasily in their graves, demanding to be mourned as I had not mourned them when they were buried. I was plunged into retroactive grief for my father, and could no longer deny, though I still tried, the loss I'd suffered at the death of my mother. ... Was it possible ... that one could mourn over losses that had occurred more than half a century earlier?
I haven't had the time to do a lot of writing. But nothing's really changed about me. It's just my day-to-day activities have changed, and as a person, I have to adapt to those changes.
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