A Quote by Albert Ayler
Bebop was like humming along to Mitch Miller to me.
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I remember Mitch Miller saying every week, This rock and roll stuff will never last. But one doesn't like to bring that up to Mitch.
Mitch Miller knew exactly what he wanted me to sing. He didn't want me to improvise at all.
To me, Stephen Miller is like Iago whispering in the president's ear, along with John Kelly. These people are totally anti-immigrant.
My family are police officers, detectives. My brother Mitch is FBI. Mitch is like that - a stern enforcer.
Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.
My father had a couple of Mitch Miller records and a Spike Jones record, and that was it. My older brother had two or three Elvis Presley singles, and that was about it. The rest of it I did on my own.
Jim Miller is an important fight for me. It's just like any other fight, but it's important for me because Jim Miller was the first guy to defeat me.
Bebop and hip-hop, in so many ways, they're connected. A lot of rappers remind me so much of bebop guys in terms of improvisation, beats and rhymes. My dream is to see hip-hop incorporated in education. You've got the youth of the world in the palm of your hand.
They said Bird played bebop, but Bird could still swing. I've heard a lot of guys play bebop, but they wasn't swinging.
I always have melodies flowing in my head - whether I'm just at home, at the mall, at a restaurant or wherever. I'm always humming along to the random melodies that form in my head. My friends always ask me, 'What are you singing?' and I'll be like, 'I don't know!'
Mitch”, but then reattach it and call it “Mitch-all-together.
When I put my brush to canvas, I never know what I'm going to paint. It's like when you're walking down the street with your hands in your pockets, humming a tune, you don't know what you'll be humming five minutes from now.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
But you make me sing like a guitar humming . . .
When I met Miller, for me it wasn't a question of wanting to meet him because it was Arthur Miller; it was a kind of astonishment that I could meet someone who was so deeply embedded in the psyche of my artistic development.
I cannot sit here and say I was beaten by Carol Miller. Because Carol Miller did not show up. She did not debate me. She basically avoided everything and just said, 'I'm with Trump, I'm with Trump.' And sadly, that's apparently a victory here in a place like southern West Virginia.
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