A Quote by Alberto Gonzales

The FBI director's probably spent a great deal of pressure to go either way - you know, to have said something, to not have said something. And, you know, he made the decision this was the right way to go. You know, I'm not going to second guess him without knowing all the information related to the investigation.
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
I never know what I'm going to wear until five minutes before I go somewhere... I guess I know what I'm comfortable in. I don't know how to describe that, I mean you either put it on and go 'no way' or 'OK, let's go.'
How wrong people always were when they said: 'It's better to know the worst than go on not knowing either way.' No; they had it exactly the wrong way round. Tell me the truth, doctor, I'd sooner know. But only if the truth is what I want to hear.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
There's something I want you to know,' said Cherryl, her voice taut and harsh, 'so that there won't be any pretending about it. I'm not going to put on the sweet relative act. I know what you've done to Jim and how you've made him miserable all his life. I'm going to protect him against you. I'll put you in your place. I'm Mrs. Taggart. I'm the woman in this family now.' 'That's quite all right,' said Dagny. 'I'm the man.
I remember in The Conversation, they brought all these coats to me, and they said: Do you want him to look like a detective, Humphrey Bogart? Do you want him to look like a blah blah blah. I didn't know, and said the theme is 'privacy' and chose the plastic coat you could see through. So knowing the theme helps you make a decision when you're not sure which way to go.
Hillary Clinton said there was no marked classified information on her server. The FBI Director said that's untrue.She said that she did not email any classified information. The FBI Director says that's untrue.
I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
There was a great director who directed a picture that I wrote who barred me from the set quite appropriately and said, "I'm sorry, Jim. When you're directing, you don't need to know everything. You need the illusion that you do." And, you know, and I WOULD be there behind him trying to signal the actors in, you know, in a way I wasn't even aware of.
I was talking to my friend and he said his girlfriend was mad at him. I said, "What happened?" He goes: "Well, I guess I, uh... I guess I said something, and, uh... and then she got her feelings hurt." That's a weird way to phrase it: "She got her feelings hurt. I said something, and then she..." Could you more remove yourself from responsibility? "She got her feelings hurt." It's like saying, "Yeah, I shot this guy in the face, and then I guess he got himself murdered. I don't know what happened. He leaned into it."
My father once said, ‘If the whole world wants to go left and you feel like going right, go right. You don’t have to follow. You don’t have to make a big deal about which way you’re going. Just go. It’s very easy.’
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
When I was young, I don't know how, I spent all my time in the presence of married women telling me their troubles. And when I said 'Why did you marry?' they said, 'Oh I married to get away from home.' And when I said, 'And why don't you leave him?' they gave the saddest answer in the world: they said, 'Where would I go?' So they stayed with men they didn't like because they had nowhere to go.
The direction Eun Gi is trying to go, I don't know. How you're going to go that way. What you're trying to do going that way. I don't know. With what thoughts... With what mind she is taking that way... Even if I ask, Eun Gi won't answer. The only thing I know, is that, I, next to Eun Gi who is going that way, it could be that I can't go that way with her together.
I’m going to go," he said. "All right." He didn’t move. Then: "I don’t want to." "Do it anyway." He chuckled. "You’re a hard woman, Faith Devlin." "Hardy." "I didn’t know him. He isn’t real to me. Did you love him?" "Yes." But not the way I love you. Never like that.
I have to get back there." I said to Adrian. "Into that door." He arched an eyebrow. "What, like sneaking in? How very black ops of you. And oh, you know— dangerous and foolish." "I know." I said, surprised at how calm I sounded as I admitted that. "But I have to know something, and this may be my only chance." "Then I'll go with you in case that guy comes back," he said with a sigh. "Never let it be said Adrian Ivashkov doesn't help damsels in distress.
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