A Quote by Alma Gluck
When the student has her voice under complete control, it is safe to take up the lyric repertoire of Mendelssohn, Old English Songs, etc. How simple and charming they are!
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The great event of the evening was Jenny Lind's appearance and her complete triumph. She has a most exquisite, powerful and really quite peculiar voice, so round, soft and flexible and her acting is charming and touching and very natural.
What's weird is when you meet a girl who is 23 and you are talking to her, even her voice is high-pitched, she's young. You ask her how old she is, she says, 'Twenty-three, how old are you?' and when I tell her I'm 41 it's like I've just told her I have cancer. It's, 'Oh my God, how long have you had that?'
I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.
Adele Adkins' retro-soul debut, '19', was striking less for her songs than for that voice: a voluptuous, slightly parched alto that swooped and fluttered like a Dusty Springfield student trying to upstage her teacher, or at least update the rules.
If you happen to find it hard to have sustained conversations, try keeping your voice up at the end of the sentence. There is a charming graciousness in doing so, for it seems to say that you do not think your remarks are the last words to be said on the subject. It prevents you from seeming opinionated. How men dislike an opinionated woman! No one really likes her! To keep your voice up sounds as though you are interested in other people's ideas. The subject is still open!
I really don't have a method. I gravitate towards the organic/acoustic, but I still often complete songs musically before attempting to find the lyric.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
Some of the songs on the radio are really outrageous. I listen to the lyric. If the lyric doesn't make sense, I don't like the song.
It's very rare - and it does happen on occasion - where I'll take a piece of lyric and I'll just sit down and purposefully craft that melody around that lyric because I think the lyric is the wellspring for the song, without question.
Sometimes if somebody you feel you need... the whole universe tells you that you have to have her, you start watching her favorite TV shows all night, you start buying her the things she needs, you start drinking her drinks, you start smoking her bad cigarettes, you start picking up her nuances in her voice, you sleep in safe sometimes the most dangerous thing... this is called Mojo Pin.
When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.
People think they know me from my songs. But my repertoire of songs is so wide-ranging that you'd have to be a madman to figure out the characteristics of the person who wrote all those songs.
I didn't want to fight a guy from England. What if I lose? Not that English guys aren't strong, but who wants to get beat up by a guy with that voice? That's not the most masculine voice to take a beating to.
Last night at Carnegie Hall, Jack Benny played Mendelssohn. Mendelssohn lost.
I was always in complete control of everything in my life and I was just so tired of having to do that alone. Not that I wanted someone else to take over my life for me or tell me how to do things, but when you're the only one accountable for everything, that can get old.
I grew up in a household in which they'd always play old skool classic R&B love songs - Al Green, Sam Cooke, Marvin Gaye... And my mom has even said that, when I was in her womb, she'd put the headphones to her stomach and play those songs to me!
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