A Quote by Alfonso Gomez-Rejon
I don't set out to do something weird, but if you see something a certain way and it's a little left of center, and you can realize it, that's a real thrill.
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I'm a little left of center, for sure, with Angels & Airwaves. But even when I get really weird, it's not that weird. It's not like some obscure Sonic Youth record or something. We don't take it quite that far. But what we do like are crescendos, and we do like when a song catches you off guard and it gives you the chills up and down your arms.
The real hope is not in something we think we can do, but in God, who is making something good out of it in some way we cannot see.
It's just a real thrill when you're showing somebody a chord progression or something, and you see that light come on, you know. You see 'em 'get it.'
You get such a visceral thrill driving a race car. You think you've driven, and then you're like, 'Oh, I was doing something for 20 years that I didn't realize I hadn't experienced the real version of.'
I never set out to write a certain kind of song, I just play my guitar and see if I catch something.
It's really about taking something inherently negative, and starting with the word loser, starting with something that's negative, and changing it into something that's positive, redefining it, but doing it in a certain way, how - like I would say when I look out at the world and you see it's dark and it's just overbearing and every day is depressed, depressed, depressed. What it took was to change my perspective a little bit. Not to change the world, to change my perspective.
We all live in the same house, we all must be part of the effort to hold down our little house. When you see something that is not right, not fair, not just... do something about it. Say something. Have the courage. Have the backbone. Get in the way. Walk with the wind. It's all going to work out.
When I am putting looks together, I dare myself to make something work. I always look for the most interesting silhouette or something that's a little off, but I have to figure it out. I have to make it me. I think that's the thrill in fashion.
I can see that I give my audience something. I can see it in their eyes, and they say 'Thank you' a lot. You realize you are doing something that means something to people.
I think humor really is the most effective way for me personally to express myself. When I see an incredible formalist painting, I respect it. I really do. I see its history and I get it. But when I pass something weird or something funny, I totally associate with it. I find myself thinking about it later that day. That's how I know something is thought provoking. That's how I know something is effective.
You can do films for the fun of it, or the thrill of it, but certain films you can't do unless there's something driving you, something you have a passion for that will pull you through.
I trust my judgment when I think it's boring, dull, tepid and not interesting. That's important to listen to. And the same on the set. That's a little easier because you can see it in front of you and you can just see how great they are and you know you have something wonderful when they do something wonderful.
I came to realize this weird projection: you are much more passionate about hating something outside of you when you know that something is also in you.
The greatest thrill is that moment when a thousand people are sitting in the dark, looking at the same scene, and they are all apprehending something that has not been spoken. That's the thrill of it, the miracle - that's what holds us to movies forever. It's what we wish we could do in real life.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
The fact is, when you talk to people, they know that something weird is going on, particularly people who are connected to the land or the water. They can see it. What perhaps is not so evident to them, unfortunately, is what the solution is. But whether they call it climate change or not, it doesn't matter. The point is, they can see there's something fundamentally weird going on here.
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