A Quote by Alfred Jarry

The work of art is a stuffed crocodile. — © Alfred Jarry
The work of art is a stuffed crocodile.
The crocodile must want to be a crocodile for reasons of the crocodile
Alligator: The crocodile of America, superior in every detail to the crocodile of the effete monarchies of the Old World.
"Appeasement" is the policy of feeding your friends to a crocodile, one at a time, in hopes that the crocodile will eat you last.
You'd been petting a stuffed dog?' she said 'A dead one?' 'It was a really well stuffed dog' I clarified. 'I have seen some bad taxidermy. This was top-notch work. It would have fooled anyone.
I put a bullet into the back of the crocodile's neck just behind the head, thus killing it. If a crocodile is hit in any other part of its anatomy it disappears into the water and is irrecoverable.
Appeasement, said Winston Churchill, consists of being nice to a crocodile in the hope that he will eat you last. At the moment, the biggest crocodile in the world is Microsoft, and everybody is busy sucking up to it.
I've eaten lion, leopard, crocodile, python. I don't recommend lion. It tastes exactly like when a tomcat comes into your house and sprays. Snake and crocodile are great - a cross between lobster and chicken.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
I could sit and watch nature documentaries with Jenks and the kids the rest of the night if I wanted. And trust me, watching a dozen pixies scream as a crocodile chomped on a zebra was something not to be missed. They invariably cheered for the crocodile, not the zebra.
What is a turducken? An exclusive culinary creation available by special order from some little Cajun town down south. Entirely deboned, a turducken consists of a turkey, stuffed with duck, stuffed with a chicken, like an edible Russian nesting doll. Some were stuffed with alligator, crap, shrimp; my favorite was the traditional cornbread variety.
When the East Timor conflict broke out, when they gained independence, the militia killed a lot of East Timorese people. And their sacred totem is the crocodile. They believe that their island is actually a solidified crocodile, so it has sacred status.
Some people in the art world bemoan the hedge fund millionaires spending freely to acquire ostentatious displays of wealth and coolth for their giddily chic designer duplexes. Others bemoan art being treated as a commodity. But most of the bemoaning is because the art world is stuffed full of bemoaners, bemoaning about everything.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
A patient doesn't select his physical ailments. They happen to him. You could just as well ask when you are eaten by a crocodile, 'How did you select that crocodile?'. Nonsense. He has selected you. The patient doesn't even select the symptoms unconsciously. That is an extraordinary exaggeration of the subject to say he was choosing such things. They get him.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
Pop guns! And bicycles! Roller skates! Drums! Checkerboards! Tricycles! Popcorn! And plums! And he stuffed them in bags. Then the Grinch, very nimbly, Stuffed all the bags, one by one, up the chimbley!
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