A Quote by Alfred Molina

Even at drama school if there was a part of some eastern European thug it would be me. — © Alfred Molina
Even at drama school if there was a part of some eastern European thug it would be me.
When I went to Yale, I thought it would be like in Stenford 24 hours a day. Robert Brustein, former dean of the Yale School of Drama and founder of the Yale Repertory Theater was there, and we did all this very serious - I would go so far as to say completely humorless - Eastern European drama, as well as August Strindberg, and Henrik Ibsen, we weren't allowed to do William Shakespeare or Tennessee Williams or Eugene O'Neill. I was not in the right place.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
Every drama school in the country turned me down, and so I was lucky to study drama at all, even if it was lowly Birmingham University. But even when I came out with my degree, my mother promptly insisted I go straight to secretarial college to have something to fall back on, just in case - which didn't exactly fill me with confidence.
If a great part comes up and the guy's meant to have an Eastern European accent, great; but if it's a bad part I won't take it.
I'd forgotten - perhaps preferred to forget - that I'd caved in to the interference of some copy-editor... somebody anonymous whose commitment to finding something wrong would not disgrace an Eastern European clerk.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
Should the German people lay down their arms, the Soviets... would occupy all eastern and south-eastern Europe, together with the greater part of the [German] Reich. All over this territory, which would be of an enormous extent, an iron curtain would at once descend.
When I decided to go to university I didn't know what I wanted to do. When I had an opportunity to take an elective I took Drama by chance, even though I'd never taken a Drama course or even been in a play in high school. Two years later I was majoring in Drama and I knew I wanted to be an actor.
I went to middle school and high school, and my drama teacher, Ms. Cooper, basically nurtured me. It was always a part of my life, and my parents allowed it to be.
I did a lot of stock before I even went to drama school. I sort of went in the back door of drama school and I had joined in a stock company to get my experience.
I felt quite confident - when you come out of drama school you feel like you're on top of everything. I always tell people to go to drama school even if they've already done movies or whatever because the way you encounter content is so different.
I'd always wanted to go to drama school. My life plan was to get into drama school and become an actor, but it took me three years.
I know there are certain powers who would rather have the champions be Eastern European because there's more money in it.
I never went to drama school, but I was really lucky in that both my junior school and secondary school had brilliant drama departments.
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