A Quote by Alfred North Whitehead
Every epoch has its character determined by the way its population reacts to the material events which they encounter.
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Carlos was a character, a character fabricated by Ilich Ramirez Sanchez, fabricated by the secret services of the epoch, fabricated by the governments of the epoch, by the radical groups of the epoch, by the communications media.
When God spoke to Moses and others in the Old Testament, those events were encounters with God. An encounter with Jesus was an encounter with God for the disciples. In the same way an encounter with the Holy Spirit is an encounter with God for you.
I don't think my work is so much about opening up wounds. I think it's about understanding the nature of the wound. I'm not bleeding on the canvas. I, like most people, have suffered traumatic events. The character of a person's life is determined by the way they deal with those events. I am a creative person and I deal with it creatively.
The ideas of the ruling class are in every epoch the ruling ideas, i.e. the class which is the ruling material force of society, is at the same time its ruling intellectual force. The class which has the means of material production at its disposal, has control at the same time over the means of mental production, so that thereby, generally speaking, the ideas of those who lack the means of mental production are subject to it. The ruling ideas are nothing more than the ideal expression of the dominant material relationships, the dominant material relationships grasped as ideas.
None of us know all the potentialities that slumber in the spirit of the population, or all the ways in which that population can surprise us when there is the right interplay of events.
The great events of history are often due to secular changes in the growth of population and other fundamental economic causes, which, escaping by their gradual character the notice of contemporary observers, are attributed to the follies of statesmen or the fanaticism of atheists .
The elements which determine the make of any particular sermon are three; the preacher, the material, and the audience; just as the character of any battle is determined by three elements; the gun (including the gunner), the ammunition, and the fortress against which the attack is made.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.
Our inward power, when it obeys nature, reacts to events by accommodating itself to what it faces - to what is possible. It needs no specific material. It pursues its own aims as circumstances allow; it turns obstacles into fuel. As a fire overwhelms what would have quenched a lamp. What's thrown on top of the conflagration is absorbed, consumed by it - and makes it burn still higher.
In all the areas within which the spiritual life of humanity is at work, the historical epoch wherein fate has placed us is an epoch of stupendous happenings.
Within a single scene, it seems to be unwise to have access to the inner reflections of more than one character. The reader generally needs a single character as the means of perception, as the character to whom the events are happening, as the character with whom he is to empathize in order to have the events of the writing happen to him.
I received many compliments for my work as Kavya. The best compliment is when people tell me that they learn from my character and love the way Kavya reacts to every situation, how real she is and how she stands tall all by herself.
He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
The death of a dear friend, wife, brother, lover, which seemed nothing but privation, somewhat later assumes the aspect of a guide or genius; for it commonly operates revolutions in our way of life, terminates an epoch of infancy or of youth which was waiting to be closed, breaks up a wonted occupation, or a household, or style of living, and allows the formation of new ones more friendly to the growth of character.
In the Spanish people there is a mixture of Gothic, Frankish and Moorish blood. One can speak of the Spaniard as one would speak of a brave anarchist. The Arabian epoch-the Arabs look down on the Turks as they do on dogs-was the most cultured, the most intellectual and in every way best and happiest epoch in Spanish history. It was followed by the period of the persecutions with its unceasing atrocities.
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