A Quote by Amanda Seales
In music, you ain't really got to be able to sing. In comedy, you may be cute, you may be able to add a little extra to your routine, but if you're not funny, no one's really rocking with you - and if you're a black woman, you better be hilarious. As usual, we always have to do the most.
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In every generation there are a few people who are authentically funny. The cosmetics change. You may not be able to articulate it, and you may laugh at them and get a certain amount of enjoyment. But when you're asleep at night, and you wake up at 3 in the morning, and you're alone in your bed, you know who's really funny.
I just am a believer...that there are some things that happen for a reason...We may not be able to really discern it now...[but] given the perspective of time, I think we're going to be able to look back at this, and what seemed really bad at the time may turn out to be really good.
I was able to do a lot of music on 'SCTV,' and I was really lucky to do a musical; I got to sing the part of Seymour in 'Little Shop of Horrors.'
I may not be funny. I may not be a singer. I may not be a damn seamstress. I may have diabetes. I may have really bad vision. I may have one leg. I may not know how to read. I may not know who the vice president is. I may technically be an alien of the state. I may have a Zune. I may not know Excel. I may be two 9-year-olds in a trench coat. I may not have full control of my bowels. I may drive a '94 Honda Civic. I may not “get” cameras. I may dye my hair with Hydrogen Peroxide. I may be afraid of trees. I may be on fire right now. But I'm a fierce queen.
The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didn't need that black woman right against him, shoulder to shoulder-in that cotton field, on the auction block, in the ghetto, wherever.
Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
Snoop Dogg is hilarious. T.I. is really funny. Who else? 50 Cent is hilarious. Jay-Z is funny. I've met him, but he's funny in interviews. He was funny when I saw him, too. Ludacris is funny. Everybody is. Rappers are funny, a lot of them.
I'd love to do comedy. I'd probably have to get my laughing fits in check, because generally if I've done comedy, I'm usually the straight character that plays against the very obviously funny character, so that's really hard when the person is really hilarious.
I may not be able to re-record a song, but I can do a better job each time I sing it.
Americans have a taste for…rocking-chairs. A flippant critic might suggest that they select rocking-chairs so that, even when they are sitting down, they need not be sitting still. Something of this restlessness in the race may really be involved in the matter; but I think the deeper significance of the rocking-chair may still be found in the deeper symbolism of the rocking-horse. I think there is behind all this fresh and facile use of wood a certain spirit that is childish in the good sense of the word; something that is innocent, and easily pleased.
Rapping can be repetition sometimes. Sometimes you gotta highlight your words in a certain kind of way. So I always was a fan of sing-rapping. It was always funny to me a little bit, and I think that being funny and being able to laugh, even at yourself, is a form of flattery.
When we get this health care done, America, we're going to be able to have regulations on how heavy you can be. And we're going to be able to set up various tax penalties, for example, if you weigh more than we think you should or we just may not let you get on that airplane because your carbon footprint, you're gonna waste so much jet fuel, we may not let you get on that bus, we may not let you drive your car, we may not build a bigger doorway for you to get through, may not give you a bigger toilet.'
I feel really privileged that I've been able to be an activist and a musician for over 20 years now, and I've always been able to say whatever I want. I think that's something we Americans really take for granted, but it's a big deal, and it's not something most people in the world are able to do.
There's two types of hecklers. If someone says something really funny it's normally them heckling as part of the show. They're trying to add onto one of your jokes. If someone says something really funny, I've never seen a comedian abuse them, you always sort of tip your hat a little bit if they nail it.
I’ve read a lot of scripts and I’m really luck to be able to play a woman who’s funny and can be charming and has a mischievous side to her as well. I’m really lucky.
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