A Quote by Amyra Dastur

What aren't the pressures of being an actress? Don't get me wrong, I love my job. It has been my one and only dream but it's scary. There's a certain lifestyle and image one has to live up to or face the criticism which is quite harsh and cruel.
For some reason, we are truly convinced that if we criticize ourselves, the criticism will lead to change. If we are harsh, we believe we will end up being kind. If we shame ourselves, we believe we end up loving ourselves. It has never been true, not for a moment, that shame leads to love. Only love leads to love.
At a certain point, you have to stop being precious with your material and be cruel and harsh and judgmental.
Students may feel the criticism is harsh, but I think it's possible they haven't had criticism before. It's my job to point out when something is badly done, or when there's no point of view. To build a brand you have to have something about you. If not personality, then some thought process. I'm 40, and they're young, so they're meant to be informing me. They should be bringing me a book or something that I haven't seen, not like some obscure chant book by Dominican monks, but an image of the way they see the world.
The only lifestyle I'm promoting is the lifestyle of love and friendship. The lifestyle of music, and joy, and fashion. So whoever wants to come and get part of that lifestyle, we accept anybody.
It's very advantageous to be sensitive with your work - and, yet, being sensitive, in reality, when criticized, it can annihilate you. It can destroy you. And with the internet there sometimes is a lot of harm, which I find must be very difficult for youngsters coming on - it can be very harsh; the criticism. And, sometimes, it can be a little cruel - which makes it hard for young performers coming on.
Laws can be wrong and laws can be cruel. And the people who live only by the law are both wrong and cruel.
Criticism is always going to be painful. You live through it. I'll live through it now. It's even harder when you're younger. You don't have the maturity. You're still developing. If you get damaged while you're developing, it's a psychological battle after that. Today, if I get the criticism, I'm not bothered...if I wear the wrong thing, I'm not going to lose sleep over it. Maybe when I was younger, I might have been more affected by that.
I understand that, being born with a certain face, people want to see me in certain roles. But one needs to break that image by doing different kinds of films.
My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe?
I remember finding a Houdini book at the library and seeing an image of him chained on the side of a building. He looked so intense and scary, and I couldn't get that image out of my head. That started building up my love of magic.
Marilyn always dreamt of being an actress. She didn't, by the way, dream of being just a star. She dreamt of being an actress. And she had always lived somehow with that dream. And that is why, despite the fact that she became one of the most unusual and outstanding stars of all time, she herself was never satisfied. When she came to New York, she began to perceive the possibilities of really accomplishing her dream, of being an actress.
I remember finding a Houdini book at the library and seeing an image of him chained on the side of a building. He looked so intense and scary, and I couldnt get that image out of my head. That started building up my love of magic.
We get to do what we love, and that's the most important thing. I feel very thankful, every day that I get to wake up and do what I do because it's a childhood dream. I get to live my job, and it's more than I could ever ask for.
I don't remember the first image of a werewolf I saw, but I suspect it was the hybrid type, up on two legs, with long limbs, hair, claw-like fingernails and lupine head. To me there's nothing scary about complete transformation from human into wolf. Wolves aren't scary. They're dangerous, yes, but so are geese, in the wrong mood. What's scary is seeing the human in the wolf but knowing it's beyond the reach of reason or emotional appeal. That's where the horror and dread kicks in.
So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.
With Brexit and the U.S. election, it's become clear that a lot of people have been thinking a certain way. Nothing has actually changed yet except the fact that it's been brought to light, which is quite a daunting, scary thing to realize.
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