A Quote by Amiri Baraka
The films of Warhol, when they are about anything are about sucking people off. This can be high art, to people who are interested in sucking people off.
But that will not liberate Black people.
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It is easier to drive a stake through the heart of a blood-sucking vampire than to kill off a money-sucking and useless government program.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counter-balance: the freedom of the press to say that there's anything conceivably damaging in these films - the freedom to analyze their implications. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?
I made a pact with my three-year-old thumb-sucking daughter that if she stopped sucking her thumb, I would stop sucking my pipe.
You can't have anything valuable in your house. Niggers will break in and take it all! Everything white people don't like about black people, black people don't like about black people. It's like our own personal civil war. On one side, there's black people. On the other, you've got niggers. The niggers have got to go. I love black people, but I hate niggers. I am tired of niggers. Tired, tired, tired.
I think people make certain assumptions about what they're interested in reading or what others would be interested in reading, and when they think of poor black people in the South, they don't think people are interested in reading about those people.
People make jokes about how black people are the first ones to be killed off.
I think pornography is the only art form where you can be videotaped on a shaky handy cam sucking off a horse and be considered a star.
The true story is that black people need to tell their history. Very few films are made by black people about slavery. That itself is a crime because slavery is a very important historical event that has held our people hostage. Forget white people's role in it. In the end what's important is black people remain and live with the scars and psychological issues.
The business has changed, and some people can keep talking about theatrical in these wondrous terms - it will survive, but it becomes narrower what you can make. So the films I'm most interested in, studios - or even the independents - aren't making them. I'm mostly interested in people.
The United States can hide behind a facade simply because it is sucking the blood of other people...The Third World people: Africa, Asia and Latin America.
I've been working very hard off-off-off-off-off-off-off Broadway and doing little films and really sweating my butt off in tiny little black boxes.
American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up. My idea was: Enjoy baking, sell your bread, people like it, sell more. Keep the bakery going because you're making good food and people are happy.
Black people don't talk about diabetes that much. I never knew anything. I thought everyone had an uncle with a leg cut off!
People who believe in politics are like people who believe in God: they are sucking wind through bent straws.
I just absolutely go for it when somebody says, "No, you can't have this." That's why I spent my entire life sucking off straight men. "Okay, so you think you're straight, do you? We'll see about that."
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