A Quote by Amit Trivedi

I play the keyboard, but I am fond of all wind instruments, the oboe in particular. — © Amit Trivedi
I play the keyboard, but I am fond of all wind instruments, the oboe in particular.
When you play the oboe, the flute or other wind instruments, there is something between you and the breath; there is the embouchure, the reed, etc. But with the recorder, I receive an immediate response from the instrument. This is something that attracted me to the instrument, that I could immediately feel the response of what I was doing.
The oboe's a horn made of wood. I'd play you a tune if I could, But the reeds are a pain, And the fingering's insane. It's the ill wind that no one blows good.
I started playing instruments. Writing didn't come until later. I didn't know how to play a keyboard but I'd listen to hits off the radio, learn them, then my hands would be ready to play.
I play trumpet. And I took all the music courses in college, so I can also play the string instruments, keyboard, the brass and woodwinds - but only well enough to teach them. If you put a violin in front of me, you wouldn't say, 'My God, that guy can play.' It'd probably sound more like Jack Benny.
I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song.
If you take a violin, you can make it sound 50 different ways. Not just pizzicato and played by the bow, but ponticello, and harmonics, and tremolos. If you take an oboe and play it, there's about one way you can make it sound: like an oboe.
An oboe is an ill-wind that nobody blows good.
I had piano lessons when I was five or six years old, so my mom got me this little keyboard in my room. And then it progressed from that to classical guitar and drums and oboe.
I just want to improve as an actor, and I am also fond of dancing and learning musical instruments.
Some sounds are coming from the keyboard and they are very important in the writing process, but on the other hand, we have melody and we have the song before, so if the keyboard sound fits very well, it takes its artistic direction. We play the machines and the machines play us.
Conductors do not know how the oboe does its work, but they know what the oboe should contribute.
I guess I just look at talent as a very subjective thing. I mean, if you never tried playing an oboe, how do you know you're not the most talented oboe player ever? The point is that if you don't love it, then it doesn't matter.
I wasn't very good at studies but was into a lot of extra-curricular activities. I used to play the keyboard and bass guitar in my school band and went on to study keyboard from Trinity College, London.
You are talking to a man who can only play a plastic keyboard. Give me anything weighted and I've had it. I haven't got the strength in my fingers to push them down. So I don't get a lot of expression on the keyboard.
Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them.
There's a clip where he had someone miming me running around from keyboard to keyboard. Oh dear, I am sure a lot of people didn't know what he was going on about.
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