A Quote by Amitava Kumar

To write what is not dead on the page, one has to be open to all kinds of disturbances and challenges and confusion. — © Amitava Kumar
To write what is not dead on the page, one has to be open to all kinds of disturbances and challenges and confusion.
The "stiff, dead, retracted pelvis" is one of man's most frequent vegetative disturbances. It is responsible for lumbago as well as for hemorrhoidal disturbances. Elsewhere, we shall demonstrate an important connection between these disturbances and genital cancer in women, which is so common. Thus, the "deadning of the pelvis" has the same function as the deadening of the abdomen, i.e., to avoid feelings, particularly those of pleasure and anxiety.
Open this notebook every day and write down half a page at the very least. If you have nothing to write down, then at least, following Gogol’s advice, write down that today there’s nothing to write. Always write with attention and look on writing as a holiday.
When I write a book, I write very cleanly from page one to the last page. I hardly ever write out of sequence.
Some of the biggest challenges were, page after page, standing naked in front of the reader.
One thing I knew about the novelist’s task: when in doubt, write; when empty, write; when afraid, write. Nothing is more impenetrable than the blank page. The blank page is the void, the absence of sense and feeling, the white light of literary death.
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other...
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other.
Writing isn't just on the page; it's voices in the reader's head. Read what you write out loud to someone-anyone-and you will catch all kinds of things.
Love, safety, belongingness and respect from other people are almost panaceas for the situational disturbances and even for some of the mild character disturbances.
I’ll tell you now. That silence almost beat me. It’s the silence that scares me. It’s the blank page on which I can write my own fears. The spirits of the dead have nothing on it. The dead one tried to show me hell, but it was a pale imitation of the horror I can paint on the darkness in a quiet moment.
I want to wake up one morning and know how to write page one, or page 10, or page 250. But I never seem to know how to do it. Every book is different and takes a different structure, style, process, etc. And relearning how to write is where the insanity comes from.
There are two kinds of people in the world—only two kinds. Not black or white, rich or poor, but those either dead in sin or dead to sin.
I found, after the experience of making 'Shaun Of The Dead' and then returning to the blank page - because 'Shaun Of The Dead' was the first screenplay I ever wrote properly - the experience of returning to the blank page and having nothing in the drawer was intensely painful.
I wanted to pull down a book, open it proper, and gobble up page after page
Well, when the Raspberries ended in early 1975 suddenly I didn't have to write to anybody's strengths or weaknesses. I was completely wide open and I thought wow, I can write anything I want now. I can use session musicians. I can find another band that sings like the Beach Boys, I can do all kinds of things.
Life is full of confusion. Confusion of love, passion, and romance. Confusion of family and friends. Confusion with life itself. What path we take, what turns we make. How we roll our dice.
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