A Quote by Amisha Patel
I'm not ashamed of any work I do. You can't decide a film's fate before its release. There's no surety that your new films will be better or worse than your previous ones. You can only hope to surpass your efforts.
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My parents were never into films, but I hope to make them proud with my work some day. In any case, in Bollywood, your surname matters only till your first, second, or third film at most. Beyond that, you are on your own.
Only if you reach the boundary will the boundary recede before you. And if you don't, if you confine your efforts, the boundary will shrink to accommodate itself to your efforts. And you can only expand your capacities by working to the very limit.
It's a challenging task for every artist to come up with new ideas. Your last video would have made a benchmark, so the next one should ideally be better than your previous work, so there's always a competition with myself to be better.
If you are blessed with great fortunes. . . you may love your fate. But your fate never guarantees the security of those great fortunes. As soon as you realize your helplessness at the mercy of your fate, you are again in despair. Thus the hatred of fate can be generated not only by misfortunes, but also by great fortunes. Your hatred of fate is at the same time your hatred of your self. You hate your self for being so helpless under the crushing power of fate.
If you will not fight for right when you can easily win without bloodshed; if you will not fight when your victory will be sure and not too costly; you may come to the moment when you will have to fight with all odds against you and only a precarious chance of survival. There may be even a worse fate, you may have to fight when there is no hope of victory, because it is better to perish than to live as slaves.
You'd better discover a more important motive than publication for your work or else you'll go crazy. My sense is that you'll be writers only if you are convinced that to write is something for which there is no substitute in your life. You must therefore be ambitious for your work rather than for its promotion. The good news here is that if you assign secondary importance to publishing and primary to writing itself, you will write better, and will thus increase your odds of getting publishing.
My father said, 'How many days can I promote your film? You need to get your own recognition and your own identity. I can't be there always. So do it yourself.' So now I work on promotion, and he steps in to help just before the release.
Whatever you and your team decide your new brand will stand for, deliver on that promise. That's the only way you'll ever control your brand. And beware: brands always mean something. If you don't define what the brand means, your competitors will.
From tonight onwards, take complete control of your life. Decide, once and for all, to be the master of your fate. Run your own race. Discover your calling and you will start to experience the ecstasy of an inspired life.
You shouldn't think about the fate of the films. The film might succeed or fail, but your performance must be good. You should work hard for every film.
The only way you can influence your fate is to put your soul into your performance and hope it registers with the audience.
Everybody, and that includes an actor, wants to go to work everyday. That said, it's better to sit at home than do a bad film. That can harm your career more than not having a release!
Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic.
I don't think one should attribute the success and failure of a film to a single actor. When you decide to do a film, you weigh the pros and cons before taking a call. Only when you run out of patience, get insecure, and feel your career is heading nowhere do you sign anything that comes your way.
You'd better hope and pray
That you make it safe
Back to your own world
You'd better hope and pray
That you'll wake one day in your own world
'Cause when you sleep at night
They don't hear your cries in your own world
Only time will tell if you can break the spell
Back in your own world.
To be a film director is not a democracy, it's really a tyranny. You're the head of the project, for better rather than worse. I write the film and I direct the film, I decide who's going to be in it, I decide on the editing, I put in the music from my own record collection.
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