A Quote by Amma Asante
Sitting in the back row of a full audience watching one of my movies, and hearing them cry and hearing them laugh in the right moments, particularly when they laugh at a line I've stolen from one of my family members and put in the film. That excites me a great deal.
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When I'm depressed and I feel low thinking that good movies are not made any more, then I put on his movies and I watch them. I laugh and I cry and I have great pleasure.
I come alive by giving back, seeing my children smile and hearing them laugh, standing up for things I believe in, achieving a goal, being there for those who need me, spending quality time with my husband, and indulging in "me moments," whether it's a vacation or just a night out with friends.
...these poets here, you see, they are not of this world:let them live their strange life; let them be cold and hungry, let them run, love and sing: they are as rich as Jacques Coeur, all these silly children, for they have their souls full of rhymes, rhymes which laugh and cry, which make us laugh or cry: Let them live: God blesses all the merciful: and the world blesses the poets.
Old film-noir movies. There's something comforting about watching black-and-white movies, and hearing this kind of music just puts me in a fantasy world. It's a really great escape for me.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
I love having made a film and watching it when it affects audiences in a positive way. It was always fun for me to hide in the back of a theater and watch Tootsie with an audience and hear them laugh. And it's gratifying 20 years later to imagine that they still can find it amusing.
It's in the silence that I'm most able to hear the tiny voices that tell me I'm not good enough, smart enough, or cool enough. I try to hear them for what they are: my own creations. Sitting with them, letting them speak, hearing them out, and giving them back the silence that I'm now sitting in has shown me that, quite often, they shut up.
What I love is that I'm hearing from people on the left and people on the right that I've given them something to laugh at.
There is nothing more joyful to me than hearing a live audience laugh. Especially when I planned it that way!
Demons do not cry. You became a demon, because you couldn't cry anymore right? Humans cry and when their tears finally run dry, there's nothing left, not a demon nor a monster and one final prayer for death. So, laugh demon. Laugh that arrogant laugh of your and remember I beat you to it.
I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.
In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.
I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.
Being at the show, watching people do what they do so well, hearing a full orchestra, and hearing beautiful music? There's nothing better.
The only thing I can say in comparison is when I play comedy characters; I definitely put empathy in right up at the forefront. I think if you believe in someone because you not necessarily feel sorry for them, but you can see how they are the way they are and you can laugh with them, but rather than laugh at them, you are on their side and I think it's
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