A Quote by Anh Do

That's what sort of fascinates me - what's funny as well as what's sad. — © Anh Do
That's what sort of fascinates me - what's funny as well as what's sad.

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Dance fascinates me, and it is perhaps the most enriching audio-visual realm for a musician. Film-making also fascinates me.
Reynie's fce fell. 'It's not funny, Kate.' For a moment - a fleeting moment - Kate looked desperately sad. 'Well, of course it's not funny, Reynie Muldoon. But what do you want me to do? Cry?
Alternate history fascinates me, as it fascinates all novelists, because 'What if?' is the big thing.
I think I was born with a natural way of looking at something and trying to find the ways in which it was odd or funny, Even in the sad or angry stuff, I was, 'Well, but where is the funny part of this?'
The pride of the hipster food movement is sort of annoying, but it fascinates me.
There's lots of sides. The CD doesn't really create a mood. It creates more of a journey. It starts out with a simple bluegrass tune, sort of melancholy and sad, like "Lovin' and Lyin'," then it's sexy and there's some funny songs in there where I'm talking, like "Designated Drunk." There's a humor side, a sexy side, but there's also a pretty sad side, the country side. It's the backwards side of me!
My music has to be funny and sad and happy and loving; it's gotta have it all. When somebody's just too dark all the time, it's just drama. Or if somebody's too funny? Well, I like being too funny sometimes.
I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
When I was in college, I had a friend who was an artist and her theory was that all the best art in the world is funny/sad. That was her favorite genre. Funny/sad are probably my two favorite tones.
I think what it is is, if you're in school and you're not that bright or good-looking or popular or whatever, and one day you say something and someone laughs, well, you sort of grab onto it, don't you? You think, well I run funny and I've got this stupid big face and big thighs and no-one fancies me, but at least I can make people laugh. And it's such a nice feeling, making someone laugh, that maybe you get a bit reliant on it. Like, if you;re not funny then you're not...anything
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
Significant consequences can begin very inconsequentially. That's one thing that fascinates me. The other thing that fascinates me is how accident can undermine something that's unfolding, something that might have played out differently otherwise.
The worst of being a Communist is the parties you may go to are - well - awfully funny and touching but not very gay...I don't see the point of sad parties, do you? And Left-wing people are always sad because they mind dreadfully about their causes, and the causes are always going so badly.
When you have passion it changes your perspective on things, you want every tiny detail to be right. You want funny moments to be funny, sad moments to be sad. You wanna give your all.
The rules I sort of live by for my theater career, which I hope to live for my film career, is that if there's something that intrigues me or fascinates me, or I don't know how to do it, then I should do it.
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