A Quote by Anat Cohen
Clarinet is often associated with certain genres, like swing or folk music. I combine the old and new, using the clarinet as an expressive tool and not in one genre. I'm just happy that people are drawn to what I do.
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It couldn't have been more nerdy or bizarre, playing the clarinet. But I studied classical clarinet, went to the high school for music and art in New York City, and then found the guitar and the mandolin after it.
Some old people, they remember that they used to play clarinet, and they remember the squeaks of the clarinet. But I don't play like that.
Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.
We decided to do some of Merle's things with modern instrumentation. We used a flute, a bass clarinet, a trumpet, a clarinet, drums, a guitar, vibes and a piano.
I was already playing the clarinet and the piano. My father's a piano player. But I wanted to play in a funk band, and the clarinet wasn't fit. So you was "Hey, man, can I sit in?" They're like, "No, man." So I started fooling around with the bass.
Clarinet n. An instrument of torture operated by a person with cotton in his ears. There are two instruments worse than a clarinet – two clarinets.
I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.
When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'
Then when I was in grammar school I played the clarinet, and then, after clarinet I played the flute in college orchestra - besides singing in the college chorus and things like that.
The ability to play the clarinet is the ability to overcome the imperfections of the instrument. There's no such thing as a perfect clarinet, never was and never will be.
The clarinet chose me more than I chose the clarinet.
Clarinet is an incredible instrument. It's a great, expressive instrument.
I started on the clarinet. I was going to a music school - my mother took me - and the guy said, 'What do you want to play?' I said the drums, and my mother said, 'No, you don't. You don't want to play the drums.' So I said, 'Maybe the trumpet would be cool.' And my mother said, 'I don't think so.' And then the clarinet was handed to me.
I remember being a kid and wanting to be so many different things. There was even one point that I wanted to be a clarinet player, and I had never even touched a clarinet, in my life. And then, I wanted to be a chef. And then, I wanted to be a vet. It's hard to decide who you're gonna be, as weird as that sounds, because we all do it.
It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
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