A Quote by Anatoly Berezovoy

We flew throughout the summer and fall and the start of winter. At first the whiteness gave way to the green of summer, and then gold covered the fields and forests, and then the whiteness again.
- Growth has its season. There are spring and summer, but there are also fall and winter. And then spring and summer again. As long as the roots are not severed, all is well and all be well.
I think the idea that you're somehow rejecting whiteness if you don't identify yourself as biracial is odd because everybody engages in whiteness. If you live in America, you're doing whiteness all the time, even if you have no white people in your family.
I fell for her in summer, my lovely summer girl, From summer she is made, my lovely summer girl, I’d love to spend a winter with my lovely summer girl, But I’m never warm enough for my lovely summer girl, It’s summer when she smiles, I’m laughing like a child, It’s the summer of our lives; we’ll contain it for a while She holds the heat, the breeze of summer in the circle of her hand I’d be happy with this summer if it’s all we ever had.
If whiteness were of no particular advantage, then having a fuller color wheel of skin tones would be purely a matter of celebration. But whiteness - just a drop of it - does still carry privilege. You learn that very young in America.
California, where the spring comes in the fall and the fall comes in the summer and the summer comes in the winter and the winter never comes at all.
Autumn to winter, winter into spring, Spring into summer, summer into fall,-- So rolls the changing year, and so we change; Motion so swift, we know not that we move.
In winter, you fed the birds; and in summer, do the same thing! In winter, you gave them bread; and in summer, give them water!
My closet is pretty organized, I'm proud to say. It's set up by type of clothes and then by color. And then, of course, there's the rotating from spring/summer to fall/winter.
Since I got to this country when I was 12, I've been obsessed with this idea of whiteness and blackness because I realized I was neither. For me, it was so important to me to make a film that focused on whiteness because you wouldn't have blackness if you didn't have whiteness.
Not surprisingly, thinkers from groups for whom whiteness was and is a problem have taken the lead in studying whiteness in this way. Such study began with slave folktales and American Indian stories of contact with whites.
Do you hear the snow against the windowpanes, Kitty? How nice and soft it sounds! Just as if some one was kissing the window all over outside. I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, 'Go to sleep, darlings, till the summer comes again.' And when they wake up in the summer, Kitty, they dress themselves all in green, and dance about - whenever the wind blows.
I don't know what people mean when they ask me whether I'm embracing my whiteness. Whiteness is ubiquitous.
With each spring comes new life, energy and green growth. In summer comes the sun, warm, kind and enduring. Fall brings its canvas of color in careful, gentle change. Winter brews into faithful strength, beauty in pure white. And then comes you. You are all that Nature offers, a blessing, a gift.. You are the fifth season.
The areas in which I teach are working-class history and African-American Studies and at its best the critical study of whiteness often grows out of those areas. The critical examination of whiteness, academic and not, simply involves the effort to break through the illusion that whiteness is natural, biological, normal, and not crying out for explanation.
Instead of accepting what James Baldwin called the "lie of whiteness," many people in lots of different fields and movement activities have tried to productively make it into a problem. When did (some) people come to define themselves as white? In what conditions? How does the lie of whiteness get reproduced? What are its costs politically, morally and culturally?
Shakespeare was the main thing I did in my life from the age of 16 when I first played 'Hamlet' at school. I then did summer stock the next summer and then went to RADA and joined the RSC and ran my own company and then worked at the Globe. That was about 30 years of my life.
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