A Quote by Andra Day

'Rise Up' is definitely my baby. I think it was a gift because, you know, it's like God just spoke to me and wrote that song. It's very powerful. — © Andra Day
'Rise Up' is definitely my baby. I think it was a gift because, you know, it's like God just spoke to me and wrote that song. It's very powerful.
I like "God Give Me the Strength" very much. It's not really a blues and to call it a ballad is absurd. I don't know, its mid-tempo. Mark (St. John) actually wrote it and I think its very telling of our lives in the 60s. Its just a good song, ya know.
How many of you heard the voice of God speak specifically, clearly, directly, and personally, to you? Can you just put a hand up? I'd like you to share it. Can you put a hand up for a minute? Just want you to look around; that's people saying, "God Almighty, the Maker of heaven, the one Who's sitting on the only throne that's not under threat - He spoke to me. He spoke to me." "God spoke to me." Don't let the voice of the darkness tell you that you are not worth that God would not speak to you. Don't let him tell you, you don't matter. God spoke to you.
The song 'Baby Baby,' I so love that song because I wrote it about my first daughter.
Oh, I was sobbing, like, so bad when baby arrived. Like, I don't think people have seen a man sobbing like that. It was awful, but in the most joyful way. I mean, I was picking that baby up and putting him on me. And the baby, like, halfway opened his eyes and it just made me feel like, 'Oh my god, this is the most incredible thing.'
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
I had a dream that Louis Armstrong was playing the 'Swept Away' melody. I have no idea where it came from. But Louis Armstrong was playing it and singing the song to me. I woke up-it's a borrowed melody no doubt-and wrote it down. If I hear a song and I choose not to put it down, that's me neglecting to accept that song. I think there's a very spiritual and godly-type ting that happens, and it happens to way more people than we know. It's just that very few of us choose to engage it.
'Peace Train' is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions. There is a powerful need for people to feel that gust of hope rise up again.
I mean, my wife is always like - I don't write lyrics. So I couldn't, like, really technically write a song for anyone. I could write a very nice instrumental. So she always sort of gives me a hard time because it's just such a ridiculously impossible standard to live up to, that your step-dad wrote that song for your mom.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
I don't want to promote paranoia. It's not like wow, everybody is after me. You know that's not going to be very powerful. A person like Stalin was like that and he was powerful, but it ended up completely destroying him because he couldn't trust anyone.
You know when I really realized like 'wow' what a gift this is was when I sang at camp and a girl wrote me a letter and said the song that I sung kept her from committing suicide.
When people see me on TV, they become very happy because they don't have to interact with me. When they start interacting with me, they ask me questions like I'm a baby or treat me like I'm a baby and hold me like I'm a baby, and that's what they do wrong, really.
I think it was something I inherited from my mother, who learned to do it. You know, I, like a baby duckling, was merely mimicking the survival traits that my mother possessed. And I came to learn very quickly that language was a powerful, powerful tool.
I guess because twins have this mystique, and triplets - I think the normal sibling connection potentially can be very powerful, and there's this idea that it's even more powerful. It really is, not just someone like me, but another version of me.
I definitely don't wanna be known as the 'Up Down' guy. I love singing that song, I love that song, but yeah, there's definitely more to me than just a party for sure.
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