A Quote by Andrade

Although I do a lot of aerial moves, I use many strong style moves. — © Andrade
Although I do a lot of aerial moves, I use many strong style moves.
We have a very physical performance art. A lot of times, when you want to achieve a certain emotion, you have to use professional wrestling ingredients, which are moves or a sequence of moves.
I like the style I have: I do Mexican wrestling things, I have strong moves, I look strong above the ring; a bit of everything.
Sometimes it happens that the computer's assessment is very abstract. It's correct, but it's not useful for a practical game. You have to prove the assessment with very strong moves and if you don't find all of these strong moves you may lose very quickly. For a computer this is not a problem, but for humans it is not so easy.
The world moves fast. Business moves fast. Digital media moves extremely fast. It is far too easy to allow ourselves to be constantly blown from one trend to the next.
We use a curtain, so we don't use a net, so there's nothing sea life can get entangled with. And also, the system moves very slowly. It moves around 4 inches per second on average. So really, the chances of sea life being harmed by this are very minimal.
Sometimes, when the spirit moves me I can do many wondrous things I wanna know when the spirit moves you Did ye get healed?
When it comes to the moves themselves, after I created a style, a lot of guys started doing the same moves I was. I had to switch up my whole offense. Then, when it happened again, I had to switch it up again. It was a hard thing to do, but it helps me grow and helps me not become stale.
When Grand Masters play, they see the logic of their opponent's moves. One's moves may be so powerful that the other may not be able to stop him, but the plan behind the moves will be clear. Not so with Fischer. His moves did not make sense - at least to all the rest of us they didn't. We were playing chess, Fischer was playing something else, call it what you will. Naturally, there would come a time when we finally would understand what those moves had been about. But by then it was too late. We were dead.
Science starts with preconception, with the common culture, and with common sense. It moves on to observation, is marked by the discovery of paradox, and is then concerned with the correction of preconception. It moves then to use these corrections for the designing of further observation and for more refined experiment. And as it moves along this course the nature of the evidence and experience that nourish it becomes more and more unfamiliar; it is not just the language that is strange [to common culture].
When you go apartment-hunting in the South, you encounter little old ladies who ask you if you use strong drink. In New York you encounter paranoids who wonder if you will commit suicide--not that they care; what they worry about is blood on their fresh paint, a dubious smell in the hallway, or a hole in the awning as you pass through on your way to the sidewalk. The Southerner who moves to any part of the country has problems, but the culture shock that attacks the Southerner who moves North is almost indescribable.
Everything moves, and everything moves to a rhythm. And everything that moves to a rhythm creates a sound. At this moment, the same thing is happening here and everywhere else in the world.
There are two kinds of games in economics. One is the game where people use only legal moves. Then there is the true game, the one like real life, where the strategies and moves people make, some of them contain illegal gains.
Part of the Hong Kong style is the fact that a lot of the performers can perform the moves, and we don't over-rehearse this stuff.
You won't see many flashy, fancy moves off me but you will see a gritty, hard hitting style, that you won't have seen before from many other people.
And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
Prayer moves the arm Which moves the world, And brings salvation down.
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