A Quote by Andre Benjamin

Those people online are analyzing everything both of you do. Andre, every new song you're on gets scrutinized. — © Andre Benjamin
Those people online are analyzing everything both of you do. Andre, every new song you're on gets scrutinized.
I'm a big online everything. But for me, shopping online started with music, obviously, then it went onto books, meditation CDs, and I just recently bought these electronic cigarettes. My husband is trying to quit smoking, so I went online and I bought those BluCigs cigarettes in every flavor for him.
I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.
I'm an online shopper, so that's what I do in my free time. A lot of online shopping, and I just like to see new styles and new people.
When I tagged with Andre, and I loved tagging with Andre, but Andre started having some physical issues, so I did all the bouncing around in the ring, and I did it joyfully.
The Simpsons and Futurama are such big projects, going on for years and working in different media, that everything involved with them, promotion and merchandise and online presence and all the rest, deserve to be scrutinized, so that's part of it. I have a great deal of sympathy for anyone at the core of a multimedia juggernaut, even if you might not care for the specific pop-culture invasion of your brain. The people who do it work really hard.
I don't think I have enough of an interest in today's cultural mood to connect with or reject it. I'm compelled by the ideas that arrive when I'm not trying, and I follow them through almost every time. I feel fortunate that these days, there are a lot of them. You could argue that they are informed by everything I'm experiencing culturally around me but I don't, for example, look online for new music or art very often, and I don't think there is much in contemporary culture for me. It's a needle in a haystack kind of thing, and I'd rather spend that time working on a new song.
André and I are still best of friends, always have been and always will be. When our 18-year-old son, Seven, started high school, we both agreed to be in the same city, so André is in Dallas all the time, and we're always all together doing something.
Everything was a song. Every conversation, every personal hurt, every observance of people in stress, happiness and love... if you could feel it, I could feel it. And I could write a song about it.
The Internet has changed everything. People will be discovered online. People buy music online. It's a completely different way to get entertainment.
People who write about technology love to huff and puff and hyperbolize. The fate of the entire world seems to hang on every move made by Microsoft or Google or Apple. Every new smart phone gets billed as a potential 'iPhone killer,' while every new product from Apple represents the dawn of a new era. It's ridiculous - and exhausting.
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People are looking for something new at the end of the day, and I think when people can do something new and unique to get people's attention, that's what is needed. There's so many people that follow the trend, and then it gets to a point where it gets a little stale. So, in music, I mean, whoever's the new trendsetter, that's who people follow.
I used to love Andre The Giant. I could sit around all day and listen to Andre stories. He was such a wonderful, unique guy who everyone loved being around. The thing about Andre, he just had this magical mystique about him.
I'm glad to see on a first-hand basis how both Andre Braugher and Andy Samberg work. They're both pretty esteemed in both of their fields, respectively - comedy-slash-dramatic acting work.
People have presences, both online and in real life. You can choose to show everything, meaning all sides of you, or you can choose to be selective.
I always thought that digital first was a simplistic notion, and I am not even sure quite what it means. It should be stories first. Let's take the Paris story: the New York Times covered it all day, we held nothing back. Everything we learned, we published online. Then, when you approach your print deadline, you have to do two things. You have to polish those stories that are online because print is less forgiving of mistakes. Secondly, in an ideal world, you pick one thing that will feel fresh and compelling to people in the morning when they pick up the print paper.
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