A Quote by Andrea Jeremiah
I was almost on the verge of studying medicine. But then, I realised I would have to give up singing. That is when it dawned on me that I could have a career in music.
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Like all soul singers, I grew up singing in church but sometimes I would leave early and sit in the car listening to gospel band, The Blind Boys of Alabama. Hearing their lead singer Clarence made me connect the idea of church and show business and see how I could make a career singing music that stirred the soul.
However, it [singing] wasn't until halfway through high school that it dawned on me that singing wasn't just a hobby, it was something I had a growing need for in my life, and that was about when I adopted the neglected guitar I found under our piano and started singing about all the things I could never say.
Ariana Grande was on a TV show, and then she started her career singing. If I'm offered a TV show, I'm going to pursue that and then see if I can push my singing. And then if I push my singing, awesome. My biggest goal, though? Be an actress in movies. I would love to have a career like Meryl Streep's someday.
I was actually going for the pre-medicine track and studying for my MCATs and then I decided to follow my passion, which was music. So I moved to India after college to re-immerse myself in Indian music.
When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
I don't think I could ever give up music. It's what makes me tick. If there was no music, there would be no writing.
I realized that people make cartoons for a living. It had never dawned on me that you could do this as a career.
I was studying music in college. I was singing, I was doing operas and Gilbert and Sullivan operettas, and then I was offered a job as the music director of the Bigfork Summer Playhouse, in Bigfork, Montana.
If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I'd been in, and I'd gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, 'Hey, I could be in a band and be the singer, and it would be a lot easier!'
He was magnificent; very clever with outstanding technique. He could pass the ball over five yards or fifty; he could see things to set up other people; he could shoot and he could score goals. If you gave me Paul Scholes and ten others, I would be happy. I would tell them to give him the ball and then we would have a good team.
The promoters in New Zealand weren't looking at me, they didn't see the potential. But when I was fighting in China they brought me over there as a journeyman so all their guys could whup up on me. Then they realised that's not gonna happen because I kept whupping up on their guys. Then they decided, 'Let's bring this guy into our team.'
I think that one of Elvis' charms was that he could sing almost any kind of music. I am sure that in his heart, which I don't know what was there, but just from his singing I could feel that he was very partial to gospel music.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
I remember when I became an actress and when people would come and ask me if they could take a picture with me, I would say no. Then my mom told me, 'Who do you think you are? You are what you are because of them. The day they will stop coming to you, you will be no one.' I realised I was wrong.
I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.
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