A Quote by Andrea Seigel

I was 11 years old when I saw the first season of 'The Real World.' Initially, I was drawn to the show because it was what I imagined the adult version of my life should be. — © Andrea Seigel
I was 11 years old when I saw the first season of 'The Real World.' Initially, I was drawn to the show because it was what I imagined the adult version of my life should be.
I was 11 or 12 years old when I first saw 'Reservoir Dogs.' I remember after I saw that film, I kept renting it from the video store because I wanted all of my friends to see it.
I think I was 13 years old when my father put in my hands 'The Spy Who Came in from the Cold.' It was the first real adult book I ever read, and it opened a new world.
I never really imagined a show about a sponge going past our first season. I thought maybe we'd have a cult following, and we'd be gone after one season.
When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved obviously and openly fit that description: They came with maps and glossaries and timelines - books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that's what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world.
I don't think a young person ever really quite knows what's going on when their norm becomes going to the grocery store with sunglasses on at 11 years old. It's kind of weird, and I'll say it also went to my head the first little season, because that became normal for me.
The first Broadway show I saw was when I was 11. I saw 'Hair.'
The first Broadway show I saw was when I was 11. I saw 'Hair.
I saw my first Broadway show when I was 10 years old. I saw 'Big: The Musical' and I remember going out to dinner with my mom afterward and reading the souvenir program like crazy!
I read 'Tiger Beat' and 'Bop' from the time I was 9, 10, 11 years old. I loved movies. I saw 'E.T.' seven times. I used to yell at people who called me when 'L.A. Law' was on because they should know better. So I just have been so in love with the business of Hollywood since I can remember.
We've got social media now where we can even create an identity for ourselves and show the world an inauthentic highlight reel version of who we are. But I'm drawn to real, not a highlight reel. The world doesn't need to see another plastic Christian pretending they've got it all together.
The first season of a show's always a rollercoaster because nobody knows what they're doing. You gotta rush through the season trying to figure out: What is this show? And who are these characters?
I needed to learn to be a coach initially. I think if I'd gone into professional football when I stopped playing when I was 30 years old I'd have failed because I'd have made too many mistakes because I had no real idea at that time.
I'm of the opinion that the real is imagined and the imagined is quite real. The real is imagined, in the sense that we shape our stories, so anything that even happens on the news gets shaped in a certain way and gets a texture, and that the imagined can be real.
I saw my first two Broadway shows when I was 4 years old, 'The Lion King' and 'Beauty and the Beast,' and after both of them I came home and reenacted the entirety of the shows on my living room table for my family and friends. I started doing that after every show I saw until I actually did my first youth production when I was 5.
Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.
I was 11 years old when I was initially brutalized by the police, just for horse-playing with my friends and not responding to the police in the way they wanted me to.
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