A Quote by Aneurin Barnard
A good actor knows exactly what the camera wants, what the sound wants, where to find the light and how to tell a good through line and journey.
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The live audience is a blind date. The camera is a hungry lover. One wants to be wined and dined and seduced and then decide where the evening will go. The other knows how it wants to be touched, wants it now and can damn well tell if you are lying about it. Both are fickle. Both feel good. Depends on your mood.
Though all actors do not make good directors, Dhanush is really one of the finest. He knows exactly how to direct an actor to extract the performance the way he wants it. Perhaps that is happening because he is a performer himself.
Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.
[George Clooney] knows exactly what he wants and so he knows that you've done a good job before you do.
The common man knows exactly what he wants...and deserves to get it good and hard.
Vladimir Putin knows exactly what he wants from the relationship with USA. In return for good relations, he wants lifting of sanctions, ratification, approval of his wars in Ukraine and Syria, and his dream of dreams, an acknowledgment of his sphere of influence in Ukraine and the former Soviet Union.
Nobody wants to play bad football in a game; everybody wants to win, and every player wants to show how good he is. But, you know, sometimes you simply have a game where nothing is happening.
Whereas the town knows all about you already and wants to know more and wants to beat you with what it knows till how can you have any of yourself left at all?
And he wants you to keep that at the front of your mind? He wants you to stay focused on the darkest seasons of your life? How could that possibly do any good?' . . . He wants you to remember who delivered you from that time. That's the point of holding on to memory: delivery, not darkness.
When Thug hears a song, he knows how the whole shape of the thing goes. He can nudge the whole frame to the left to make it offbeat and sound how he wants it to sound.
I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.
All any feeling wants is to be welcomed with tenderness. It wants room to unfold. It wants to relax and tell its story. It wants to dissolve like a thousand writhing snakes that with a flick of kindness become harmless strands of rope.
When the Spirit of God comes into us, He wants to be Himself in us. He wants His energy to be poured through us. He wants His wisdom to be deposited in our hearts. He wants His instinct and nature to be evident and obvious in you.He wants us to see what He is looking at, to feel what He feels, to know what He knows, to work with His projects, see life the way He sees it, get His ideas and know His opinion about yourself and others.
It's amazing how much of this is mental. Everybody's in good shape. Everybody knows how to ski. Everybody has good equipment. When it really boils down to it, it's who wants it the most, and who's the most confident on his skis.
You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.
Now I know what it feels to be a working mother - it's a mixed feeling. A part of me wants to face the camera, the other wants to stay with my son. But I am sure when the camera rolls, I'll forget everything else.
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