A Quote by Anjelica Huston

There's a moment in one's life when you should really be de-accessorizing instead of making more collections. — © Anjelica Huston
There's a moment in one's life when you should really be de-accessorizing instead of making more collections.
I think I've just gotten really good at accessorizing personally. I've always been good at accessorizing other people, and intellectually, I've known how to accessorize, but I was pretty minimal personally - although I was wearing a ton of rings.
All my collections are very personal. It's also because I'm so involved in making the collections.
Instead of this fruitless debate about having it all, men and women should focus on what make us happy. Instead of comparing our lives with people we don't know who are making sacrifices we don't see, we should try to find the right balance between home and work life.
I am really fond of accessorizing my car. If the world outside isn't too good looking, at least the car should be nice and comfortable from within.
I read individual stories a lot in magazines and other places, too, but I really think there's something to be said for reading story collections as collections. That's not true of all story collections, to be honest, but for good ones I think it often is true.
Silences enter the process of historical production at four crucial moments: the moment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of retrospective significance (the making of history in the final instance).
There should be more love in Toronto when it comes to the music and entertainment scenes instead of keeping that Screwface Capital name. There should be more artists eating together, more artists celebrating together and more artists making music together. That's how I feel.
Just pausing for two to three breaths is a perfect way to stay present. This is a good use of our life. Indeed, it is an excellent, joyful use of our life. Instead of getting better and better at avoiding, we can learn to accept the present moment as if we had invited it, and work with it instead of against it, making it our ally rather than our enemy.
When you're an artist, there's always a moment in your life when you think you're not inspired and instead of doing things and instead of travel and instead of falling in love, you're just depressed, so you don't move, so you don't change. So you're not inspired.
Certainly, it is more reasonable to devote one's life to women than to postage stamps or old snuff-boxes, even to pictures or statues. But the example of other collections should be a warning to us to diversify, to have not one woman only but several.
No society can prosper if it aims at making things easier-instead it should aim at making people stronger.
The moment that we realize our attention has wandered is the magic moment of the practice, because that's the moment we have the chance to be really different. Instead of judging ourselves, and berating ourselves, and condemning ourselves, we can be gentle with ourselves.
I learned a valuable life lesson that summer. You should find something in life that you really enjoy and seriously consider making that your life's work.
The world is wider in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain and Lazarus.
I really learned that you should seize the moment; you should be present in the moment.
For 'Motive,' it wasn't a question of making it look un-Canadian, but instead, we wanted it to be the product of a bunch of really skilled people making something. And that's what you have.
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