A Quote by Anita Dobson
I can do glamour, but I can also play something like I did in the play 'Wild Justice,' where I was demented with grief and anger, and there was snot coming out of my nose, and my clothes were all over the place.
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I seldom remember my father, but I sneeze and rub my nose the way he did. I also love my son with grief and anger, as he did.
As a performer, I don't like to play the same thing over and over. I like to play it and let it go and move on. That's also why television hasn't really been something that I've done.
You go to the draft board and think, 'Here's a nose tackle. Who needs a nose tackle?' Well, eight teams in front of you need a nose tackle, and there's two nose tackles. It's something you have to figure out where you can get the players to play in your system.
Snot is running down his nose, greasy fingers, smearing shabby clothes.
I think it's sort of the hypothetical point where communism and fascism meet. They love tragedy, and they love surface beauty. You just watch it play out over and over in the media. It was the English edition of Glamour who were looking for stories of Iraqi war widows, but specified that they had to be attractive.
One of the reasons why you want to play cricket is to play in front of big crowds, and in India, it is the perfect place to do that. The atmosphere here is like no other place in the world. Having experienced it once, you want to keep coming back.
I'm not a glamour boy, and I never get the girl. I like to play old people, because there's something to them. Did you ever see anybody under 30 with any real character or expression in his face?
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
Merlin really taught me how to concentrate, that you play each play as if it were the only play. And if you put all the plays together like that, then you'll come out on top.
Game Over is a very frustrating game convention. In short, it means, 'If you were not good enough or did not play the game the way the designer intended you to play, you should play again until you do it right.' What kind of story could a writer tell where the characters could play the same scene ten times until the outcome is right?
If you play without the shackles and burdens, then you play like you did when you were a kid.
God wiped snot out of his nose and that was you.
I am a little crazy but when I'm on-stage, then I really get to play it up and perform and be over the top and it's like an outlet. It's fun to 'wild' out.
I’d play my nose now, but I’m... it’s... my nose is... out being fixed!
We decided to play the NEC because we were asked to, and because we actually rather like the place: we've always enjoyed doing it before. We don't often get sensible offers to play in the UK, so most years we just play on the mainland, with the occasional exotic detour.
So what's so enticing about doing a play is that you get to do that thing that got you into acting in the first place... There's a real attraction to being able to play, to just play. And that's something that theater affords you.
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