A Quote by Anita Loos
I don't like diabolism so I stay away from things like Clockwork Orange. I think diabolism is awfully childish. I don't even want to see The Godfather. I couldn't stand seeing that horse's head cut off. I wouldn't mind if it were Marlon Brando's.
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I like the idea of the audience absorbing the language and getting to understand it as they journey through the film. It starts off being more obscure, but you get used to it. A 'Clockwork Orange' thing. I read 'Clockwork Orange' without any vocabulary, and I got to understand the words as I went through it. I like that process. It immerses you.
I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.
Most actors are like, 'I want to be more like Marlon Brando.' But when I was a little kid, I just wanted to be an action hero! Then I grew up, and my interests were different.
You know one scene I always think about is in 'The Godfather', when Marlon Brando's in the hospital. Al Pacino arrives there and enlists the help of the baker to protect his father. The two of them stand outside and the baker fiddles with a cigarette lighter, but Pacino's hands are rock steady. That's when we sort of realize that he can do this.
Actors are always identified with certain parts. To some, Marlon Brando will always be the Godfather. That's just how it is, whether the character happens to be your own personal favorite role or not. You can't ever get away from it.
I saw 'A Clockwork Orange' when I was 11. When you watch 'Clockwork Orange' at 11, it either totally scares you from watching movies, or you want to become a filmmaker. I was the latter.
I got in my car and followed [Marlon Brando] down to Chinatown, and got about twelve shots. Brando called me over and said, What else do you want that you don't have already? And I said, I'd like a picture without the sunglasses. He said no and punched me right in the jaw, It was so fast I didn't see it coming. Blood was gushing out of my mouth. I drove to Bellevue. The jawbone and five teeth were broken... To this day he has scars on his knuckles from my teeth.
A man's head is not like a scallion, which will grow again if you cut it off; if you cut it off wrongly, then even if you want to correct your error, there is no way of doing it.
Your mind makes out the orange by seeing it, hearing it, touching it, smelling it, tasting it and thinking about it but without this mind, you call it, the orange would not be seen or heard or smelled or tasted or even mentally noticed, it's actually, that orange, depending on your mind to exist! Don't you see that? By itself it's a no-thing, it's really mental, it's seen only of your mind. In other words it's empty and awake.
In 'Clockwork Orange,' you're there with your eyes, watching all those things, your brain goes off, ahh, exposes you to so many things, and at the end of the day, it's just like a roller coaster. Why do you jump in a roller coaster? You want a thrill.
In fact, I think I have had a ghost in my house. Although not active lately, unexplainable things would happen and the kitties were particularly sensitive - especially, Marlon Brando... the cat not the man.
Marlon Brando. The finest actor who ever lived. He was my idol when I was 13. He's done enough work to last two lifetimes. Everything I do, I think: Can Brando play this with me?
Marlon Brando was the absolute opposite of everything they told me he was going to be, which is that he was a testy guy who wants to know that he's in control of everything. But, that's not who Marlon was. No matter what he did, the most important thing on his mind was justice.
I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.
Though amid all the smoking horror and diabolism of a sea-fight, sharks will be seen longingly gazing up to the ship's decks, like hungry dogs round a table where red meat is being carved, ready to bolt down every killed man that is tossed to them.
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