A Quote by Anna Wintour
Of course there were times, particularly when you travel, when it's very tough to leave the kids, particularly when they were very young. I would try to take them with me when I could just so they could experience and see a little bit of what a work day involved.
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I want you to try and remember what it was like to have been very young. And particularly the days when you were first in love; when you were like a person sleepwalking, and you didn’t quite see the street you were in, and didn’t quite hear everything that was said to you. You’re just a little bit crazy. Will you remember that, please?
Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
If anyone thinks they'd rather be in a different part of history, they're probably not a very good student of history. Life sucked in the old days. People knew very little, and you were likely to die at a young age of some horrible disease. You'd probably have no teeth by now. It would be particularly awful if you were a woman.
On the very last day of shooting [of The Last King of Scotlang], I remember wanting to get the [Idi Amin] character out of me right away, as much as I could. You literally take a bath to wash him off you. Luckily, I went into another part not so long afterwards, so I was kind of able to push it away a little bit. But speech patterns, and little sounds, particularly colloquial things, like the way you ask questions or might respond, were sticking with me, probably because I'd worked so hard to make it a part of my everyday way of expressing myself.
In Brooklyn, the block wasn't very long or very wide, and not that many kids were out there, either. But when I got to Florida, there were a lot of kids on my block, young kids, older kids, and they could play outside until the sun went down and have fun.
Don't go changing to try and please me You never let me down before Don't imagine you're too familiar And I don't see you anymore I would not leave you in times of trouble We never could have come this far I took the good times, I'll take the bad times I'll take you just the way you are Don't go trying some new fashion Don't change the color of your hair. [...] I could not love you any better I love you just the way you are.
I want to try and portray characters that are in real life, that you see day-to-day. If I were to just stay in my little village in Wales, I would have gotten a very small taste of a very big plate.
Exposures, if they are mild, in the sense of barely just a small concentration, it's mostly an irritant, particularly the peroxides, that in that smoke would irritate the skin or even irritate the lungs. So, for the most time, it could be either just a little bit of a nuisance irritant, or if you get a really big whiff of it, particularly people who have, for example, reversible airways disease, like asthma or different types of hypersensitivity diseases, you could get a serious problem.
I particularly love where I work because I was born, raised, and still live in the Bronx. I work in a Bronx location, so it's very fulfilling to me to be working in my home borough, and working with kids that are a lot like me and who can see themselves in me. My own teaching philosophy is to expose them to books that they might not otherwise read, particularly authors of color, authors whose stories are based in New York City.
I used to wish I would be a painter or a violinist, where maybe I wouldn't need to travel as much. Or maybe if I were a writer, I wouldn't need to travel as much. It's the travel that kind of killed me. And the hours. I always pictured if I were a painter you could make your own hours maybe... work after the kids were asleep.
There were times when rehab and the halfway house were very, very tough, but I never felt that I wanted to leave.
Throughout my career, I have benefitted from the experience and counsel of a wide range of people who took a very personal interest in me. As a result, I am always happy to share lessons learned from my journey with others. I am particularly passionate about mentoring young black girls. While we are a very diverse group, there is a special bond that connects us to each other. When I work with them, I see them in me and I believe they see me in them. By coming together, we are able to show the world the power and the promise of black girls.
Growing up I couldn't always get involved with the activities with all the other kids because if I overworked my body it would trigger my pain. There were definitely times growing up, where other kids wanted to challenge me; they wanted to see if they could push my buttons and see if I could fight or what have you. Taking my kindness for weakness or taking my quietness and laid-back style for weakness. I've been dealing with that for basically all my life.
As a young actor, there's a very small group of kids, just a handful. As you get older, all of a sudden, there's a bunch of guys your age that work. It's a very different experience when you used to be on the short list because you were young and there's only so many kids that can do the work and then all of a sudden you're in your twenties and thirties and there's a whole bunch of guys that can do your work.
When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
Telephone handsets are particularly in need of built-in security. We have almost every aspect of our personal and work lives reflected on them and we lose them all the time. We leave them in taxis. We leave them on airplanes. The consequences of one of these devices falling into the wrong hands are very, very serious.
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