A Quote by Anna Karina
Many other directors, they have lots of scripts and they never rehearse as much, and you never really have time to be a part of it. With Jean-Luc, you always had time to be a part of it. It's difficult to explain to normal people.
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I have to tell you that we never had any scripts. Jean-Luc never wrote a script in his life. He would write the dialogue that morning before shooting.
I've always thought - and I don't even know if I'd be right for the part - that Jean Seberg would make a great biopic. She was in Jean-Luc Godard's 'Breathless,' she played Joan of Arc. She had this eventful and traumatic adulthood, she thought the FBI was after her, and she became a darling of the French New Wave.
What did falling in love do for you? Can you ever really explain it? It filled empty spaces I never knew were empty. It cured a loneliness I never knew I had. It gave me joy. And freedom. I think that was the most amazing part. I suddenly felt both embraced and freed at the same time.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer.
Have you ever noticed that Jesus is never recorded as taking a holiday? He retired for the purposes of his mission, not from it. He was never destroyed by his work; he was always on top of it. He moved among people as the master of every situation. He was busier than anyone; the multitudes were always at him, yet he had time, for everything and everyone. He was never hurried, or harassed, or too busy. He had complete supremacy over time; he never let it dictate to him. He talked of my time; my hour. He knew exactly when the moment had come for doing something and when it had not.
Suddenly I had a call one day saying they'd like me to come to the office to see Jean-Luc Godard. 'He is preparing a film called 'Breathless.' Jean would like to see you.' I said yes. I thought he was pretty strange, because at that time nobody was wearing those kind of glasses where you couldn't see the eyes.
I had been at the director's workshop for women at the AFI, which at the time was a great thing to do. I had always meant to direct, and for a variety of reasons that are hard to explain, I never did. I produced many things - there'll be people who tell you I directed through them - and of course I wrote. It took a divorce, a move back to New York and a kind of "now I can do anything" to say, "I really want to do this."
Sometimes people don't rehearse at all, but you might have had a chance to rehearse for a few days, or even more than that. Then in the moment when the camera's running is the only time it matters. So whatever you've discussed or thought about or discussed with the director, the other actors, hopefully there's a part of the experience that you've left open so that only in that moment the camera catches it. That's of course the hardest thing to do because everything is planned and you have thought about it in advance.
The evening passes somehow; I watch television with Nancy, or I write. It is difficult, not having a family, and it is difficult to explain. I always go to bed early. And I am always ready for Monday morning, that time that other people dread.
He'd never had to make the adjustments and compromises other people accepted early in their romantic careers; never had a chance to learn the lesson that Sarah taught him everyday--that beauty was only a part of it, and not even the most important part, that there were transactions between people that occurred on some mysterious level beneath the skin, or maybe even beyond the body.
Jean-Luc asked me to play a small part in 'Breathless,' the role of Belmondo's former girlfriend. It was just one scene. I asked him what I had to do and he said, 'You have to take your clothes off,' and I said no.
TV showrunners have become known entities to people who watch television in the way that movie directors have been known to filmgoers for a long time. When I started out as a writer and producer in television, I never had the slightest expectation that fame would be part of the job.
Most of the time I've worked with directors who write their own scripts. The story is more important to me than the part. The project of the film has always been more important to me.
I hate to say that my mother was 'just a housewife', because in addition to that she has had lots of part-time secretarial jobs in factories and hospitals, always working really hard for our family.
I knew at the time that that wasn't the part I would be doing, they just wanted a screentest so they could have a look at it to show to the directors and producers. Then they wrote a part for me or maybe they already had it in mind, I don't know.
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