A Quote by Annea Lockwood

For me, every sound has its own minute form - is composed of small flashing rhythms, shifting tones, has momentum, comes, vanishes, lives out its own structure. — © Annea Lockwood
For me, every sound has its own minute form - is composed of small flashing rhythms, shifting tones, has momentum, comes, vanishes, lives out its own structure.
I do think, or rather I sense that there is a relationship - at least in my own work - between a dramatic structure, the form and sound and shape of a play, and the equivalent structure in music. Both deal with sound, of course, and also with idea, theme.
It becomes evident that when the Life-power awakens its mysterious activity at the beginning of a cycle of manifestation those vibrations which we recognise as sound come into existence before the more rapid pulsations of electricity and light. Thus modern science confirms the ancient occult teaching that sound is the root of physical existence. 'It is out of Sound that every form comes, and it is in Sound that every form lives.
All that socialism means to me, to be very frank with you, is democracy with a small 'd.' I believe in democracy, and by democracy, I mean that, to as great an extent as possible, human beings have the right to control their own lives. And that means that you cannot separate the political structure from the economic structure.
We seldom stop to think how many people's lives are entwined with our own. It is a form of selfishness to imagine that every individual can operate on his own or can pull out of the general stream and not be missed.
When I watch students make particular decisions about language, structure, and form, it sharpens my own thinking and my own development as a writer.
I believe that we form our own lives, that we create our own reality, and that everything works out for the best.
The truth... When they have a similar structure to and are organized in as truthful a way as nature. When I look out of the window, then truth for me is the way nature shows itself in its various tones, colours and proportions. That's a truth and has its own correctness. This little slice of nature, and in fact any given piece of nature, represents to me an ongoing challenge, and is a model for my paintings.
Every age develops its own peculiar forms of pathology, which express in exaggerated form its underlying character structure.
I think that most of the action in religion is around the home, is in families, and is in individual lives, and they can go on their own searches, watch their own TV shows, read their own books, form their own groups and discuss it, but that's where the action is - on the home front.
Basically, I composed the musical structure in one pass. The rest was editing and small adjustments. And when the play was read by actors with the music, the sequence timed-out perfectly.
The word is a thing of mystery, so volatile that it vanishes almost on the lip, yet so powerful that it decides fates and determines the meaning of existence. A frail structure shaped by fleeting sound, it yet contains the eternal: truth. Words come from within, rising as sounds fashioned by the organs of a man's body, as expressions of his heart and spirit. He utters them, yet he does not create them, for they already existed independently of him. One word is related to another; together they form the great unity of language, that empire of truth-forms in which a man lives.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending.
It's either you finna create your own wave, you finna sound like me or you finna sound like G Herbo, you finna sound like Chance The Rapper, you finna sound like Juice Wrld. You ain't gonna get too far 'cause you sound like somebody. So, create your own lane and do your own style.
We understand ourselves through stories, by making stories out of our lives. Storytellers give people structure with which they can begin to look at their own lives and try to make sense of them.
My presence isn't simply about "character" - I'm present in every part and particle of the thing, in the sound and rhythm of the sentences, in the shifting tones and the selection of details, in the comedy, the sadness, and the confusion. For the space of an essay, I'm the air you breathe, everywhere and nowhere. With a personal essay, I don't think you'd want it any other way. You ought to have the sense of an encounter, the impression of having met someone. In my essays, for better or worse, that someone is me.
There's something about the rhythms of language that correspond to the rhythms of our own bodies.
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