A Quote by Anna Held
No one could possibly look all the time like my photographs. It is dreadfully hard to live up to them. They stare at me everywhere.
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That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space.
Digital information, for every type of storage, is unfounded. If everything is on a hard drive and the hard drive freezes up, your whole photography collection could just go away. We can still look at printed photographs of our grandparents. We can physically hold them in our hands and look at it.
I actually own works of art I've always wanted to own - I collect photographs by the late William Claxton. I met him in L.A.; later, he agreed to shoot the cover for my album 'Call Me Irresponsible' for free. I was so fat at the time, and he made me look as good as I possibly could.
Everywhere I look and most of the time I look, I see photographs.
Look, did you ask me to come all the way uptown just so you could stare at me like I was something in a petri dish? Next time I'll send you a photo." "And I'll frame it and put it on my nightstand," said Jace.
I have always argued that we can't live by or be made to exist outside of mythology, and that every group and nation has, possibly unacknowledged to themselves, some myths by which they live. It remains important to revisit them, understand them and possibly retell them - or at least own up to them - and then it becomes possible to move something. If it's obscure or invisible to you, you can't budge those understandings.
Going to the school to meet the visually impaired was special. I thought I was inspiring them. I was thinking what I could possibly say to inspire them. Instead of me inspiring them, I felt they inspired me. They showed me how much courage they have, and how hard these teachers are working for these children. They made me feel like I don’t have any problems in life. It gave me uplift. They made me feel so great.
What's important to me is that [photographs] have the appearance of being documents of what goes on. I like the illusion of veracity, that they look like life rather than movie stills. I don't want them to look fabricated.
'Perfection' to me is, I walk away from a situation and say, 'I did everything I could do right there. There was nothing more that I could do.' I was a hundred percent, like the meter was at the top. There was nothing else I could have done. You know? Like, I worked as hard as I possibly could have. That's perfection.
If someone uses the amount of time I spend in the public eye as criteria for what my music could possibly mean to them, they probably should take a long, hard look in the mirror and figure out why they need to think they're so special. Because I don't think anybody is that special.
I didn't think i could possibly love another baby as much as I loved the one I'd already had," I continue. "But the strangest thing happened when I held you for the first time. It was like my heart suddenly unfolded. Like there was this secret space I didn't even know existed, and there was room for both of you." I stare at her. "Once my feelings were stretched like that, there was no going back. Without you, it just would have felt empty.
I thought my time in TNA went about as well as it possibly could for what it was. With me being as young as I was and them trying to highlight the x division like they did.
I look at my paintings for a very long time before letting them out of my studio. I like to get on the treadmill and look around at all of my paintings while I exercise. I try to stare them down to make them reveal their weaknesses. If they reveal weaknesses, they get repainted.
I'm not good, Mac. Never have been.' What-true confession time? my eyes tease. Don't need it. 'I want what I want and I take it.' Is he warning me? What could he possibly threaten me with now? 'There's nothing I can't live with. Only things I won't live without.
To me, these people were as exotic as animals in a zoo. I'd never seen anything like them. I wasn't sure whether I wanted to be one of them or simply live among them taking notes and photographs.
I could be ordering ham at the deli, and someone will turn around and look at me and kind of stare. They'll just look at me like, 'I know I know your voice, and I know I know your face.'
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