A Quote by Anna Holmes

What's interesting, I think, is that a lot of times, women in powerful positions, when they do get critiqued, when they do get criticized, it often revolves around their appearance, their sexuality, their fertility, et cetera.
If you get criticized, good - I don't think people get criticized enough. People talk behind your back and they criticize you, but they don't often come up and say it to you.
I think a lot of wrestling revolves around the bodybuilding-type perspective on nutrition, whereas I have a different approach; I'm way more focused on longevity and making sure I get those micronutrients in and eating a bunch of organic good as often as I can.
As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.
I think desire gives us - imagination - as well as actually often we pay a terrible price for it. Women are punished around their sexuality and perceived to be immoral if they practice a certain kind of promiscuous sexuality. It's a very different thing still if you're a guy, if you're a woman and you're straight.
Indeed, there were times when it was quite worrying that after hitting a certain age, you wouldn't hear from a lot of actresses anymore. But that's when women hit their stride and get a lot more interesting. You see that in roles for males but it's slowly getting better for women too.
The most powerful decision-making part of the audience is women. Boys have a lot of impact on the industry, but it's often women who impact what stories get made.
I'm having to do a lot to keep my clothes on and not be cast in girlfriend roles. Some women will say, "I don't want to be a man - I want the opportunities I can get as a woman." Women have a certain sexuality, and I think their bodies are beautiful and I'm not embarrassed to explore that in a film. But there are things you get offered that are vulgar and violent - just like there's a side of me that's vulgar and violent.
I think women don't see themselves and their sexuality as wholesome. And yet men's sexuality is everywhere. We experience it as a culture in stadiums, thousands of raging fans of male sexuality, screaming, "Kick the ball over the goal post. Get the ball in the hoop. Score a home run." Male sexuality lives in that prowess of the scoring, of conquering, of getting, of that beautiful male energy of domination, aggression, and the competition.
Women are so often segregated to their sexuality, and how they appear. In fact, there's a lot of talk, even now, I think in most jobs this is true... people will say, when a woman rises to power, they ask, 'who did she sleep with?' You know, it couldn't possibly be about her acumen, it couldn't possibly be about her intelligence. It's got to be about her body, because that's how women get ahead.
It's such a rarity to have women in senior powerful positions. We can name them all. Fact is, women can handle power and handle it well. That's something I'd like a lot more women to understand.
[On women in previously all-male fields:] I think it will change in a lot of workplaces. I'm not so sure it will ever change on Capitol Hill until more women are in powerful positions. Because this is the last plantation for men.
A lot of child actors think they need to re-invent themselves, especially young women. Usually what they do is they adopt a sort of overt sexuality. It's fine if they want to do that, but a lot of times I think they feel obliged to do that, and that is something that I don't think anybody should feel obliged to express.
I think we're in a really interesting moment for women globally just in terms of, like, historically, I think we're in an interesting moment for women. Because, it's important to remember, there have always been funny, funny women. Mae West was real funny. Marilyn Monroe was in one of the greatest comedies, Some Like It Hot, ever made. I mean, it's not like we're lacking. I just think the percentage of women in positions of power in all aspects of our culture is improving and women are standing up and demanding to be heard.
I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.
There's a lot of pain and suffering out there. I think there needs to be more joy, and love, and orgasms in the world. We are a pleasure-negati ve society. Suffering is much more acceptable. And I want to tell women that they are sexually powerful beings, but they often don't get in touch with it because they are socialized to please men.
I have learned how to say no, and I have to check myself all the time. I'm not great at it still. Women get criticized a lot more for saying no than men do.
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