A Quote by Annabelle Selldorf
I make spaces that are calm rather than confrontational. I seek a certain kind of logic that allows you to move in space and perceive it as beautiful and rational. Clarity is a worthwhile quality.
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Architecture is inherently a totalitarian activity. One thing we hate about it is that when you design a space, you're probably designing people's behavior in that space. I don't know if we know how to change that, but our goal is to make spaces for people rather than people being subservient to spaces.
A few years ago, I realized I was decorating and designing my house around what was beautiful rather than practical for my family. When I made that realization, everything kind of clicked for me. I started being intentional about designing spaces with my kids in mind rather than picture-perfect rooms.
Buy less, choose well, make it last. Quality rather than quantity: That is true sustainability. If people only bought beautiful things rather than rubbish, we wouldn't have climate change!
I think one of the studio's characteristics is to embrace wholeheartedly what we feel is interesting; what we perceive to be worthwhile, cool, or beautiful; and to place these ideals at the foundation of the games we make.
I perceive myself as rather uninhibited, with a certain mathematical facility and more interest in the broad aspect of a problem than the delicate nuances. I am more interested in discovering what is over the next rise than in assiduously cultivating the beautiful garden close at hand.
As a person who is not confrontational by disposition I tend to see that the quality of being confrontational is a positive attribute.
Clarity, clarity, surely clarity is the most beautiful thing in the world, A limited, limiting clarity I have not and never did have any motive of poetry But to achieve clarity.
I think we've always thought that it's important to have a positive relationships with local government rather than taking a confrontational kind of stance.
Why is there space rather than no space? Why is space three-dimensional? Why is space big? We have a lot of room to move around in. How come it's not tiny? We have no consensus about these things. We're still exploring them.
I let the song guide me. I move through the space that I'm given rather than trying to make an impression on the material. I'm curious to learn from the music.
Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.
Study to do another's will rather than thine own. Choose ever to have less rather than more. Seek ever the lower place and to be subject to all; ever wish and pray that the will of God may be perfectly done in thee and in all. Behold such a man enters the bounds of peace and calm.
The lower classes of men, though they do not think it worthwhile to record what they perceive, nevertheless perceive everything that is worth noting; the difference between them and a man of learning often consists in nothing more than the latter's facility for expression.
Certainly in order to understand the natural world one needs clarity, logic, and the capacity for theory building. But that understanding tends to improve because and to the extent that it is provisional, hypothetical, when it looks for disconfirmation in the particular rather than final proof as a universal.
We have said that consciousness is an operation rather than a thing, a repository, or a function. It operates by way of analogy, by way of constructing an analog space with an analog 'I' that can observe that space, and move metaphorically in it. It operates on any reactivity, excerpts relevant aspects, narratizes and conciliates them together in a metaphorical space where such meanings can be manipulated like things in space.
From inside where I live, I feel like I just perceive events in a certain rational way. I often find it sad or poignant, and it may not make me laugh a bit. But I don't mind inventing a portrait that allows others to laugh if that's what they want to do.
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